Archives for posts with tag: Chamkaur Ghag

2002 St Augustine's Tower

In the studio I have been experimenting with magnets and iron filings while thinking about magnetoreception, methods of navigation and finding the way in the dark.

2002 magnetoreceptor wip 1

Some interesting research at the Max Planck Institute headed by Dr Christine Nießner has been looking at the light-sensitive molecules that exist in bacteria, plants and animals which are used for perception of the Earth’s magnetic field to aid orientation and navigation.  In birds the cryptochrome molecule is located in photoreceptors in the eyes and is activated by the magnetic field but only reacts to the magnetic field if it is simultaneously excited by light.

An additional meaning to birds eye view.

In animals, these molecules are also involved in the control of the body’s circadian rhythms. The researchers think that some mammals may also use this cryptochrome to perceive the Earth’s magnetic field. In evolutionary terms, the blue cones in mammals correspond to the blue- to UV-sensitive cones in birds. It is therefore entirely possible that this cryptochrome in mammals has a comparable function.

2002 magnetoreceptor wip 2Observations of foxes, dogs and even humans indicate that they can perceive the Earth’s magnetic field, but may perceive it in a different way, for example with microscopic ferrous particles in cells known as magnetite. A magnetite-based magnetic sense functions like a pocket compass and does not require any light.

2002 naked mole rat

Mole rats navigate their dark tunnels using this kind of compass. Birds also have an additional orientation mechanism based on magnetite, which they use to determine their position.

 

 

 

2002 dark skies forest

 

Continuing research for a collaborative event with UCLO looking at the planetary system most similar to our own Solar System which contains the bright star HD70642. It is visible with binoculars from the southern hemisphere toward the constellation of Puppis.  “The Stern”  (poop deck) was once part of the constellation Argo Navis. Argo was the ship that Jason and the Argonauts sailed on their quest for the Golden Fleece2002 star map Argo Navis

A planet with twice the mass of Jupiter has been discovered orbiting HD70642 in an almost circular orbit. This means it is possible that Earth-type planets may be orbiting further in. In all other planetary systems discovered with massive planets they usually have disruptive closer elliptical orbits which would destroy any smaller planets on a circular orbit.

At 90 light years away, extremely faint early radio broadcasts from Earth are now passing this planetary system. It was around 90 years ago when University College London Observatory first began exploring the night sky. It was also around then when my mother was born which gives a human scale to the journey time. The constellation of Puppis is only visible from the southern hemisphere but should there have been a radio broadcast about the opening of UCLO then this information would now have travelled to this potential alternative home.

2002 UCL Observatory

 

British Pathé produced a short but sadly silent (sound was not introduced until 1930) newsreel of the opening of the observatory at UCL in 1929. View here

 

 

 

 

There may be a chance to discover Earth like planets using the new high precision spectrometer technology developed by Macquarie astrophysicist Christian Schwab which collects starlight from  unimaginably distant stars and measures the subtle effect orbiting planets have on their parent stars.

2002 spectograph Kitt Peak Observatory

Further research for a future video work The Seeker, The Seer, The Scientist. Looking to the horizon, the line that separates earth and sky.  The optical horizon is what we see but is not at the same as the geometric horizon which allows for the curvature of light due to atmospheric refraction. If the surface of the Earth is colder than the air above it, light is refracted downward as it travels around the curvature of the Earth and if the ground is hotter than the air above it light is refracted upwards causing a mirage.

2002 horizon

The true horizon is usually hidden.

2002 horizon sea

We each have a personal distance to the horizon based on our specific height of eye from the ground and the local elevation from sea level at which we stand. It is a distance we can never reach as it always recedes.  The seeker must send a seer to visit their horizon and report back on what it is they see, they may also send a scientist. The seer can see beyond, but is what they see real or imagined, the scientist can explain what is beyond but this is just abstract space.

My height of eye = 1.5m + local elevation

Distance to horizon = √(13 x height of eye)

2002 iris for etching

Some interesting ideas in The Rosicrucian Cosmo-Conception, a 1909 text by Max Heindel which seem relevant to my meanderings intersecting cosmic particle trails with matter. This text, setting out a theory of seven Worlds and seven Cosmic Planes, supposes an intermingling of spirit with matter where the intersection of the material and metaphysical world are not one above another in space, but inter-penetrate each with the other.2001 cosmic planes

Beginning the process of disposing of old work and bits and pieces. Storage is a big problem for artists I think.

2002 plastic

Also reworking old prints. It’s taken a couple of years to percolate but am working on a suspended paradise.

2002 paradise suspended

Out of studio.

A brief look at what is current in Bloomberg New Contemporaries 2019 at South London Gallery

200219 new contemporaries

The Missing Day discussion on 29/02 as part of the The Habitat of Time programme at Arts Catalyst curated by Julie Louise Bacon was a cross discipline interrogation of the social, political and personal impact of how we order time.

  • Once every four years, here in the collective habitat of Earth time, 365 becomes 366 as the missing day of the leap year makes another appearance in the now-global calendar. This quadrennial occurrence foregrounds the essentially malleable nature of time. From the earliest lunisolar calendar developed in Babylon during the Bronze Age, to the invention of atomic clocks in the mid 20th century, and speculations on the quantum realm in the laboratories of today, time’s parameters have taken on new guises, shaping and regulating life in the process.

The Missing Day roundtable explores the development of human modes of measuring and understanding time, and their impact on the ways we order time as societies, individuals and a species. The discussion will bring together perspectives on observing, keeping and speculating on time from the fields of the history of science and physics. It will consider the emergence of the modern regimes of time that dominate social life, their limits and the possibilities beyond.

Chaired by the curator Emily Akkermans ‘Curator of Time’ at National Maritime Museum Greenwich spoke about the mechanics of horology and the trade and empire building that led to time keeping for navigation, transport systems, industry and financial markets. Artist Ted Hunt whose work is featured in the 24/7 Somerset House exhibition spoke about his attempts to deconstruct the clock and find alternative methods of recording time. Artist Ami Clarke from Banner Repeater had a stark message about capitalism driving our relationship to time, taking control away from the human as algorithms respond to twitter announcements and fluctuate markets faster than humans can intervene to prevent malfunction. Particle astrophysicist Cham Ghag was present to give insight into how time does not exist in physics apart from in the law of thermodynamics. All other processes are reversible but heat can only travel in one direction. He also spoke about the importance of good quality sleep and disengaging from the demands of 24/7 ordered time.

2002 habitat of time

24/7 – A WAKE-UP CALL FOR OUR NON-STOP WORLD at Somerset House. With over 50 works it was a bit of a sensory overload in itself but thankfully interspersed with meditative works that gave some respite. An urgent analysis of sleep deprivation, disrupted circadian rhythms and non-stop culture.

The current new materialisms reading group book is Posthuman Knowledge by Rosi Brandotti who writes about complex multiplicity and a global exhaustion from having to negotiate new technologies, the political landscape and climate urgencies, like surfers riding an ever increasing number and magnitude of waves. How do we position ourselves (we who are in this together but are not the same)  in a world where we must distinguish ourselves from non-human (I am not  ROBOT) yet embrace and include the non-human; confer rights to nature; dismantle dualisms?

The question of what is it to be human is wonderfully scrutinised in Caryl Churchill’s play A Number which looks at human cloning and identity, particularly nature versus nurture in making us who we are. The story, set in the near future, is structured around the conflict between a father and his sons – two of whom are clones of the first one. The original son feeling loss of self, the second son feeling a poor copy, and subsequent sons freed of guilt or jealousy or lacking in introspection and depth.

2002 mirrors

Research Network: Ecological Sci-fi – Artist talk with Stephanie Moran and Keiken at Inniva.

Scientists have been incorporating more and more attributes based on animal perception and behaviour into media, a process that has been intensifying since the beginnings of Modernism, from steam engines to AI (Lippit, 2000; Parikka, 2010). If we are already cyborg, we are also already interspecies cyborgs, albeit in anthropocentrically instrumentalised, alienated form. As artist Jennet Thomas’ dystopian sci-fi film proposes, “The category ‘human’ is falling apart…” (Animal Condensed>>Animal Expanded#2

Stephanie Moran’s PhD research considers how to think about ourselves as part of a shared ecosystem and to consider the embodied experiences of other species that share our world but inhabit very different experience-worlds. Unfortunately I found it hard to hear and follow her talk, and keep pace with the slides. I’m sure there was a lot of interesting information that escaped me. I did pick up the mention of magnetoreception though.

2002 Stephanie Moran

Astrobiology researcher Professor Lewis Dartnell gave an interesting talk at Conway Hall Origins – How the Earth Made Us

Geological forces drove our evolution in East Africa; mountainous terrain led to the development of democracy in Greece; and today voting behaviour in the United States follows the bed of an ancient sea. The human story is the story of these forces, from plate tectonics and climate change, to atmospheric circulation and ocean currents.

2002 Cutty Sark

Slow time. Norwegian choreographer Ingri Fiksdal presented Diorama at Greenwich on a thankfully bright February lunchtime.

These performances reflect on the passing of time, on the slow change in landscape, and scenography as an ecological practice of bodies both human and non-human.

The word “diorama” often refers to a three-dimentional model of a landscape, such as displayed in museums of natural history. Another use of the word is for the French diorama theatre, invented by Louis Daguerre in 1822, where the audience were sat watching big landscape paintings transform through skillfully manipulated light, sound effects and live performers.

 

ONE FOLD, TWO FOLD, TEN FOLD, MANIFOLD at Exposed Arts Projects.

2002 manifold library

Manifold has varied meanings across context and research discipline with use in mathematics, topology and geometry.  It describes .

2002 manifold Gina DeCagna

 

Artist Gina DeCagna presented her explorations with discarded cardboard built into installations looking at layering and hierarchy. These assemblages work as symbolic means to arouse social questions around empowerment and inequality.

 

 

 

In mathematics, topology compares shapes to see if they have the same number of holes and handles and can therefore be moulded from one into the other by stretching, twisting, crumpling and bending, but not tearing or gluing.

Topologist Dr Mehdi Yazdi gave an introduction to mathematical concepts in topology, manifolds and foliations from abstract space to the expanding rings of trees found in nature. Foliation is the decomposition of shape into lines and circles. We gained visual inspiration from hands on participation with marbleised paper.

2002 marbling

Mushrooms: The art, design and future of fungi – an exhibition at Somerset House celebrating the remarkable mushroom, and all the progressive, poetic and psychedelic wonder it evokes.

2002 mushrooms (3)

Michael Pollen’s excellent book How To Change Your Mind  sets out a fascinating history of psychedelics bringing us up to date with current research and future potentials for treating addictive behaviour as well as offering well adults access to an alternative consciousness. Told through his own experiences using LSD and psilocybin under guidance and his many interviews which researchers, practitioners, therapists and volunteers one overarching theme that comes out is a feeling of transcendence to another plane of consciousness which many interpret as becoming one with the universe or feeling the presence of god and an overwhelming sense of love. Could this chemical be the catalyst to opening receptors in our brain enabling us to access a consciousness present in the universe outside our body or are the emotions, visions and dissolution of ego experienced by those taking psychedelics all taking place within the brain?

Pollen quotes from Aldous Huxley’s experiences documented in his 1954 book The Doors of Perception where he describes an unmediated access to realms of existence which is always present but kept from our awareness by a “reducing valve” of everyday waking consciousness a kind of mental filter that admits only a “measly trickle of the kind of consciousness” we need in order to survive. A bit like us only seeing certain wavelengths of the electromagnetic spectrum.

The title comes from William Blake’s 1793 book The Marriage of Heaven and Hell which expresses a unified vision of the cosmos in which the material world and physical desire are equally part of the divine order. It would not be hard to imagine Blake’s visions rooted in a psychedelic experience.

2002 William Blake

Over 250 years after the young William Blake saw a vision of an angel in a tree on Peckham Rye, Flat Time House has commissioned six poets to bring their words and visions to Peckham. Each of the poets has been commissioned to write in response to the life and work of William Blake and/or in response to that other creator of cosmologies, John Latham.

Poets in Response to Blake is part of the exhibition programme The Bard – William Blake at Flat Time House. The evening I attended we gathered to hear Chris McCabe, Niall McDevitt, Karen Sandhu and Iain Sinclair read from their commissioned works. It was such a treat to hear the spoken word live. A time to listen and reflect. Each of the contributions was evocative and insightful. I like that Iain Sinclair suggested John Latham was of such an expansive mind that he spanned time and consequently predated Blake.

“Spectral Latham pre-deceases William Blake,

      while both magicians,

burning like thermal lances, are numbered among

     the chain of stars.

Curved light reaches through infinitely extended

   quantum crumbs,

Planck time, to a black metal box that flattens,

   swept by paper waves,

into a cemetery suburb on the hill. Angelic incidents

   are reported”       Iain Sinclair

 

 

 

 

 

Work underway for the upcoming Reading Stones exhibition with artists Anne Krinsky and Carol Wyss. We will be installing site-specific works in response to the history and architecture of the ancient stone Tower of Saint Augustine, Hackney’s oldest building. Built in the 13th century, the tower houses a magnificent 16th century clock whose mechanisms still strike the hours, occupying three floors connected by steep spiral stone stairs.

1908 clock.jpg

The nature of time itself was a concept that St Augustine of Hippo grappled with in his philosophical texts sixteen centuries ago and is still perplexing us today; namely, how to equate the subjective experience of time with an objective understanding.

I am working on a video which makes reference to the scientific theory of time crystals; a model which proposes a structure that repeats in time, as well as in space.

1908 Time Crystal 2 wip

Patterns used in the film aim to mirror the crystal structure of the mineral beryl, commonly used to fashion the original reading stones which were used to magnify texts before the invention of optical glass. Reading Stones could be considered the first instruments used to create an enhanced sensory experience.

1907 reading stones WIP 1

I am playing with speeding up, slowing down and overlapping events to deconstruct a linear flow of time and interrogate the methods used to measure and experience time. I  spent a couple of nights in remote car parks setting up a time lapse sequence under darkish skies in anticipation of  the Perseids Meteor Shower and was rewarded with my first experience of live meteor action.

1908 perseids

I also think there was a faint glimmer of the Milky Way. These weren’t true dark sky areas but not bad for an hour to two hour drive from London.

1908 milky way

Also set up a time lapse station overnight on the Suffolk coast with the two wind turbine’s in view that dominate the Kessingland village skyline. I was surprised to see how much aerial activity goes on usually unnoticed.

1908 wind turbines

Another times lapse experiment focused on crystal growing over a week period.

1908 crystal growing
Filming slowing down time with a Go Pro set at 240 frames per second to record smashing rocks.

1908 stone smash

I made some earth meteorites to collide with the ground but the results not so great.

1908 earth meteorites

1908 earth collision.JPG

Beautiful light in Richmond Park when photographing the tree clock’s I plan to make into spinning time portals

1908 tree rings

Hot Sunday morning traipsing around a car boot sale for ceramic atrocities to line up for an energy exchange experience.

1908 time is up

 

A site visit to St. Augustine’s Tower gave me pause for thought over the hanging sculpture I had planned which would possibly be dangerous to attempt. So looking at projecting directly onto the brickwork in that corner instead. This is giving me all sorts of issues over projecting in portrait mode and whether the projector will cope being on its side.

1908 projection test

Testing ideas for a viewing circle on the tower roof.

1908 viewing circle test

Inside the circle will be the image of a rock or meteorite.

I have been auditioning candidates.

1908 rock candidate

1908 meteorite

On the final day of the exhibition we will have extra activities which will include a lithomancy board and the chance to have your fortune told by the fall of the stones.

The act of “reading stones” can refer to both the scientific practice of geological investigation and the ritual of lithomancy which seeks to interpret the patterns of stones cast by those wishing to divine the future.

1908 laboradite

Made a trip to Box Hill Fort for a photo shoot of the artists books I had made for the Insatiable Mind Exhibition. The Fort is one of a line of 13 mobilisation centres built in the 1890’s to protect London from the threat of invasion from continental Europe. Never used for its intended purpose, it is now part of the National Trust Box Hill property and home to three species of bats that have taken up residence in the tunnels originally built for ammunition storage.

1908 old fort box hill

1908 unbound detail

‘Unbound’ depicts images taken from my cloud chamber. A cloud chamber is a supersaturated sealed environment that enables us to see the trails of cosmic rays. These high energy particles know no boundaries, travel at high speed across the universe and continuously pass unseen through us and our world. The twelve pentagons form a dodecahedron, the solid described by Plato as ‘the fifth construction, which the god used for embroidering the constellations on the whole heaven.’

1908 unbound

1908 InOUT detail

‘In/Out’ expresses the energy and randomness of quantum fluctuation as particles pop in-and-out of existence in empty space. At this tiny scale the universe is mysterious and unpredictable. Originating from a large crystal ball which reflects and absorbs its surrounding landscape, the bright spheres act as a series of portals to alternative perspectives.

1908 InOUT

Chilled evening at the Science Gallery for Zen-On a collaborative presentation from artist Ansuman Biswas and astroparticle physicist Chamkaur Ghag.

‘We have many tools at our disposal to gather information about the world. Physicists are tuning their instruments to an unprecedented level of sensitivity. Even burying super-cooled xenon under a mountain in the hope of detecting the faintest, most elusive particles of matter.

Ultimately, however, whatever external instruments we use, all data is experienced by our bodily senses. These senses turn out to be more finely tuned and calibrated than anything we have yet invented. And they are available to all of us, for free.

In this interactive performance we will draw parallels between the physical world around us and the physical experience of the body. We will explore the instrumentation we have available to us and discover its limits and possibilities in search of the subtlest and most elusive elements of reality.’

1908 zen-on polaroid

I enjoyed the parallels drawn between the search for dark matter and the search for inner peace, both of which require PURITY, QUIET and SENSITIVITY in processing data, looking for patterns and understanding knowledge.

The Dark Matter exhibition at Science Gallery was not so inspiring in its curation but there were a few nuggets to be gleaned.

Through the AEgIS from Semiconductor

1908 Science gallery semiconductor

Images gathered from data captured from the AEGIS experiment based at CERN of violent collisions between matter and antimatter, along with tracks of newly created particles, all of which are too small to see with the human eye reveal the chaos of the unseen.  The artists call it a “space time-lapse” work, showing an animation created from around 100,000 still images.

Mirror Matter by Emilija Škarnulytė

1908 Science gallery Emilija Škarnulytė
In thousands of years, how will the gigantic structures dedicated to the pursuit of science be viewed? Will their remains be viewed the same way we think of Stonehenge or the pyramids – relics of a previous civilisation? Mirror Matter is set 10,000 years from now, with an all-seeing alien eye surveying the ruins of scientific machines that once probed and measured the Universe.

The public engrossed in building Utopia at Tate Modern Turbine Hall

1908 Tate Turbine Hall lego

Olafur Eliasson In Real LIfe at Tate Modern works well for social media posts but on the day I felt mostly disappointed with one or three exceptions, this may be because it was like an unruly crèche or being swamped with spectacle.

  1. Waterfall 2019 against a grey London sky

1908 Olafur Eliasson Waterfall 2019

2. Model Room 2003

1908 Olafur Eliason model room

3. Glacial Currents 2018

 

and A description of a reflection 1995

1908 Olafur Eliason description reflection

Loved this idea

1908 Olafur Eliason magnetic field

Went on to see Takis Sculptor of Magnetism, Light and Sound which was great (also no babies)

1908 Takis magnetism

‘Plato speaks of an artist turning the invisible world into the visible. I hope that someone seeing my sculpture is lifted out of his ordinary state’

1908 Takis Telelumiere No 4

‘I cannot think of my work as entirely my work, I’m only a transmitter, I simply bathe in energy’

1908 Takis sound and silence

‘We have chased the sacred symbols into the desert and replaced them with electronic eyes’

1908 Takis Music of the Spheres

Reading Timothy Morton ‘Being Ecological’ I started off thinking I am going to love this book but after a chapter of multiple examples of how to look at ‘being ecological’ this way or that way I was a bit frustrated. I missed the reading group to see how everyone else got on.

I did find it interesting to discover that the Anthropocene has a proposed official start date and it’s very recent – 1945 – the time when the first atomic bomb was detonated.

1908 nuclear explosion 1945.jpg

In January 2015, 26 of the 38 members of the International Anthropocene Working Group published a paper suggesting the Trinity test on 16 July 1945 as the starting point of the proposed new epoch.

BEYOND – Midsummer Events at Allenheads Contemporary Arts kicked off with Far From Daylight -Outstation #1. This involved lying in candlelit rows, blindfolded, on inflatable beds subjected to a pulsating tone while a disembodied voice gave an account of cosmonaut training in the 1960’s and the interrogation of the minds of the cosmonauts. 1806 outstation 1

Fact and fiction overlapped or merged as documented experiences of cosmonauts were read from texts by group participants. Later small groups of participants plucked word cards from a bag, the words signified archetypes or directives to inspire images that would be used as thought cards for future floatation tank experiences.

1806 outstation 1 discussion

‘The Illuminated Woman’ became the all encompassing and much more open ‘The Illuminated’.

1806 fire

The Pilgrimage; a non-linear spiral, borders were permeable or herbaceous, the map dissolved leaving no points of reference in space only the depths of the mind to navigate. This was preceded by skimming stones on the cosmic pond and followed by conversations around the fire with artists Jo Hodges and Robbie Coleman who had devised and led this affecting event.

The next night was a test run for the scheduled live streaming of the sunset and sunrise from the top of the fell…

1806 ACA BEYOND

1806 BEYOND

1806 live streaming sunset

…situated between borders.

1806 BORDER

1806 BORDER 2

The Midsummer’s Night droning began just as the sun dipped the horizon and continued until it appeared again on the other side of the earth. It seemed to get around very quickly.

1806 BEYOND forest

It never got dark. The earth orbits the sun in about 365.25 days. Up 31 octaves this is 69.05Hz, a slightly flat C sharp. This midsummer the earth will rotate on its own axis in 23 hours, 59 minutes, 59.9998932 seconds. Up 21 octaves this is 24.269Hz, a slightly flat G.

Open Weekend Events up at the school house included seeing comic particle trails in my cloud chamber.

1806 cosmic trail

Also a little hologram film I made of the trails set in a dodecahedron (motif for the universe)

1806 cosmic hologram 2

1806 cosmic hologram 3

1806 cosmic hologram viewer.jpg

Exoplanet exploration

1806 ACA exoplanet explorers

The gallery in the village with work from other BEYOND residency artists

1806 Gallery ACA

1806 peripheral training chair

Earlier visit to Allenheads – circling ideas, segmenting, focusing

1806 Allendale walkabout

The density of the forest is overwhelming – no space to enter – yet imagine being able to pass unheeded through this entanglement

1806 Allendale Impenetrable forest

1702-etching-through

1703 dark-universe-dark-matter

Had a preview screening of edited soft borders (video with dance artist Paola Napolitano) and installation of Duodecimens (etched aluminium. screen print) in my studio space for the annual Open Weekend at Thames-side Studios.

1806 Open Studios.jpg

Using the dodecahedron as motif, the boundaries of the universe are brought within reach; pliant and permeable as the body bathed in cosmic particles that do not recognise borders but pass unseen through spacetime and matter. 1806 soft borders still.jpg

There was some interesting use of materials in New Relics sculpture show in Thames- side Gallery.

1806 New Relics.jpg

The Echoing Space exhibition is a sensitive response to the history of Leith Hill Place from artists Julie Hoyle, Mary Branson and Penny Green. Combining traditional and contemporary materials and processes the past and present are drawn together reigniting the passions of past inhabitants for a new generation.

1806 Leith Hill Place Mary Branson

1806 Leith Hill Place Julie Hoyle

The austere façade and darkened windows can give an initial impression of a sinister past and ghosts best left to rest but inside reveals a palimpsest of family life steeped in the arts and scientific discovery.

1806 Leith Hill Place

In 1847 it became the home of Josiah Wedgwood III who was married to Caroline Darwin. Her brother Charles Darwin often visited and the wormstone he used for research into how stones and ancient ruins become buried over time is still in the grounds. He studied the action of earthworms excavating soil from beneath the stone and depositing it above the surface. It has been estimated that a 25cm thick stone might take approximately 250 years to fall to the level of the ground. What was under becomes surface.

Vibrant Matter: a political ecology of things by Jane Bennett has an interesting chapter on the earthworm and Darwin’s studies which conclude that earthworms ‘make history’ and augment human culture through the accumulated effects of ‘small agencies’.

Darwin’s niece Margaret married Arthur Vaughan Williams and their youngest son, Ralph went on to become the composer best known for The Lark Ascending. He was also an avid collector of folk songs hoping to save them from being buried in time.

1806 Joan Jonas (3)

I didn’t get to see any of the live performances but did go to the Joan Jonas ‘in conversation’ with Marina Warner.  Denying any pretentions of being a shaman herself Joan denotes how the shaman enters an unconscious state and makes clear her performances are highly structured, rehearsed conscious episodes though both performances may appear to invoke the use of objects in ritual the intention is quite different. She draws on influences such as the documentation of Aby Warburg who was captivated by the rituals, masks, architecture, art and culture of native Americans he met on his travels in 1895. She has been to experience remote cultures for herself drawing on both real events and mythologies to feed her performances, creating an alternative space to preside in.1806 Joan Jonas (1)

The viewer watches. We are gathered at the fire.

1806 Joan Jonas (2)

To follow the tale

1806 Joan Jonas (5)

1806 Joan Jonas (6)

1806 Joan Jonas (4)

saw this pattern recently in Valencia on a 15th century floor

1805 Valencia escher floor

Flooring Consulat del Mar at La Lonja de la Seda de Valencia (The Silk Exchange)

 

Communication between trees came up during the talk as discussed in The Hidden Life of Trees a book by Peter Wohlleben who describes a forest as a superorganism of unique individuals. He is writing about processes going on unseen beneath the soil, chemical languages, networks and relationships. We fail to understand trees because “they live on a different time scale” from us.

1806  forest.jpg

In Material Sight at Arts Catalyst Fiona Crisp presents a series of photographs and films within a structure of scaffolding and invasive noise echoing the utilitarian sites from which the images are taken. She has spent the last few years stalking spaces of scientific research deep underground and beyond public accessibility to pluck out small nuggets of suggestibility that bring a sense of these remote locations to an audience who will never physically experience these unique spaces. We are not invited to comprehend the activities and processes of the laboratories shown any more than we can grasp the mysteries of the universe that these sites are endeavouring to solve.  The images aim to engage through a visual intimacy to counteract the distances crossed in bringing the images to the surface.

1806 Fiona Crisp Material Sight

The programme of events continued with Kosmica Ethereal Things at Iklectik which turned out to be in ‘Old Paradise Yard’ (one I have missed on my paradise trail.) Chamkaur Ghag was speaking about dark matter, current research, what we don’t know, physics in culture and the need for a more holistic approach to scientific investigations. Annie Carpenter who is also participating in the BEYOND residency was there to demonstrate black hole accretion using dry ice and household items to create a spinning contraption with a hobbyist aesthetic bringing scientific endeavour into the everyday.

Coming up is the final weekend of events for BEYOND at ACA when I will be screening soft borders video. A research trip to Grizedale Forest as prelude to making new work for an exhibition there. Further research for the weather balloon project – in the meantime having fun running the tracking predictor to see how likely it might be to retrieve any video footage depending on where the camera might land.

1806 weather balloon tracking

Today would have been a good day for a flight.