Archives for posts with tag: Continuum

A happy return to Allenheads Contemporary Arts for Continuum research.

1904 ACA 3 sphere

It is a place which pulls you in like gravity or a magnetic field. It would be no surprise to find a wormhole portal here.

Joined by Annie Carpenter, Nicola Ellis and Robert Good we spent the time reading, walking, thinking and sharing ideas.

“The miners did not find the riches they hoped for and the tunnel never reached its destination…”

Theoretically it is possible that wormholes exist. Every point in spacetime could be connected by a hidden web of tiny wormholes left over from the beginning when the universe was turbulent and unformed. Should they be discovered, to open them and pass through would require a colossal amount of negative energy which we are unable to create with current technology. However, there is a lot of metaphysical negative energy around at the moment so maybe this could be used to power a wormhole.

1904 ACA Blacksmiths.jpg

The Allenheads Blacksmith’s Forge seems a good place to open a wormhole portal. It is a place of high energy collisions and hot fusion.

1904 ACA Blacksmith window cill

It is also home to a collection of local rocks and crystals which must surely offer some negative energy cleansing properties. For research imagery my glass sphere encapsulates and condenses its surroundings. If the image is made to spin fractals begin to appear.

1904 ACA hearth

I also captured the landscape at speed as travel through the wormhole would exceed the speed of light.

1904 ACA at speed

I probed the depths of rabbit holes with an endoscope camera and discovered alien landscapes and the hidden web of the interconnected root system.

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We made a site visit to Newcastle University to view the space that Allenheads Contemporary Arts will performatively occupy during The Late Shows

1904 ACA Newcastle recce

As the project Continuum focuses on ideas around speculative fiction the newly installed Museum of Classic Sci-Fi in Allendale made an interesting day out with an impressive collection of artefacts and information.

Plasmaton:”ramdomly formed blobs of protein, wrought into being ‘psychokinetically’ …”

1904 ACA the classic sc-fi museum 6

The Cosmic Sublime exhibition presented by Lumen Studios opened at The Pie Factory in Margate. The concept of the sublime has long been associated to both fields of astronomy. Derived from the Latin “sublimis”, the sublime is translated as “set or raised aloft, high up”- etymologically the word “sublime” is very much linked to the space above our planet and to what may inhabit it.

I was pleased to show the video Soft Borders made with dance artist Paola Napolitano.

1904 Cosmic Sublime Susan Eyre

The video speculates on the idea of a universe that is a finite shape but has no borders. If we were able to exit at one point we would immediately re-enter at another point. It also considers our body in a similar way with open borders for the unseen passage of cosmic rays and other particles.

Thanks to artist Rosie Reed Gold for some great photos of the show.

My wonderful optician John Rose spent some time scanning my iris for me.

1904 iris scan infrared

This is for work I am planning looking at the possibility that we retain some residual magnetoreceptor in our eyes that once enabled us to navigate using the Earth’s magnetic field. And other ideas.

In 2019 the Lizard is celebrating the 400 year anniversary of Sir John Killigrew’s building of the first lighthouse on Lizard Point in 1619. The lighthouse also has important links to the search for reliable Longitude measurement, with an assistant to the astronomer royal visiting the lighthouse at the time of the first Transit of Venus to record an accurate location for the Lizard Rocks.

1903 lighthouse lens

Following on from the Lizard Point Residency I have made a mock up to test the Fresnel lens projection work. A film exploring entanglement and communication across distances will be back projected onto the lens.

1904 at a distance mockup

Joined by Anne Krinsky and Carol Wyss, we made another site visit to St. Augustine’s Tower in Hackney and made some decisions about who would install where for our upcoming group show which will be titled Reading Stones.

1904 St Augustines Tower Clock

Reading Stones were the original tool for magnifying text, first made from polished glass or crystal in the 13th Century – the same era the tower was built.

I will be installing in the room that houses the clock mechanism. It is a wonderful animated machine. On the way home reading Carlo Ravelli’s book The Order of Time I came to the passages quoting from St. Augustine.

“It is within my mind then, that I measure time. I must not allow my mind to insist that time is something objective. When I measure time, I am measuring something in the present of my mind. Either this is time, or I have no idea what time is.”

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The British Library have released some excellent scans from their archives for free use.

1904 time and eternity

While in Suffolk visiting family I made a detour to Dunwich and found the tide clock has become redundant.

1904 tide clock

Time and Tide wait for no man. The earliest known record is from St. Marher,  1225: “And te tide and te time þat tu iboren were, schal beon iblescet.”

In my present, the ruins of Greyfriars Monastery at Dunwich where large chunks of the coastline have fallen into the sea.

1904 Abbey Ruins Dunwich

The last gravestone standing as the land crumbles

1904 the last grave Dunwich

In the studio –  Sugar lift for work looking at cycles and forces

1904 sugar lift magnetic field

Copper sulphate etching

1904 sugar lift etch

Four colour separation screen-print

I made two pieces – one delicate etch, one fierce

1904 Glory BE

This is an amalgamation of images from the ruined Waverley Abbey and St. James Church Weybridge – not ruined in my present. Sanctified spaces drawing people to them who seek transformation. All matter becomes regenerated.

Out of  the studio…

Another Land at Kingston Museum, a showcase of experimental visualisations of place to draw links between creative practice and anthropology, archaeology, architecture and geography.

1904 Another Land Victoria Ahrens

Victoria Ahrens Lleva y Trae (2019) Exploring notions of the politics of place, resistance and ruin looking at the spaces between what we know and what we think we know about the world

 

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Matthew Flintham Nuclear Airspace  – The radial danger areas surrounding active nuclear power plants in the UK.

1904 Another Land remotes

 

 

I liked the collection of remote controls –  accidental installation

 

 

 

Anamorphic Waves at Ugly Duck.

1904 Ugly Duck Anamorphic waves (1)

An exhibition exploring how digital interfaces and technological tools are reshaping our personal, professional and ecological relationships, and how they have modified our view of love, sexuality and gender.

1904 Ugly Duck Anamorphic waves (2)

I liked this work looking at big data. I was intrigued how the multiple projections were installed, baffling as only two projectors in the room and neither seemed to be pointing in the right direction.

1904 Stuart Faromarz Batchelor

Mesmerising images from Stuart Faromarz Batchelor who explained some of his methods working with oil paint and coding algorithms which respond to the brush strokes via a camera link at the latest Flux Social Event.

1904 Flux social

Visceral and beautiful work at the Hatton Gallery in Newcastle, the exhibition presents a dialogue between oil paintings by Francis Bacon and Morphia, a series of works on paper by Ellen Gallagher.

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1904 Ellen Gallagher (2)

Great installation looking at the moon from an earthbound perspective from Shaney Barton. Anomalous Mass is showing at Allenheads Contemporary Arts Gallery as part of the Continuum series of events. Multiple screens show footage captured of the moon over a ten-month period with found dialogues on recent moon histories and projected near futures of the moon race and plans for human colonisation.

1904 Shaney Barton

Wonderful poetic visons, some realised some imaginary from Katie Paterson at Turner Contemporary with A place that exists only in moonlight.

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Like Paterson, JMW Turner was fascinated by the sublime wonder of nature, capturing the changing and atmospheric qualities of light, air and weather in his paintings, while also being deeply curious about science and the physical world. Paterson has selected a group of over 20 Turner watercolours and paintings to be interspersed with her works.

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Also on display were some of Caroline Herschel’s notebooks describing her extraordinary astronomical discoveries of comets made by patient observation.

1904 Caroline Herschel notebook

Great to be able to see the screening of Sarah Sparkes film Time You Need and her GHost Tunnel installation in The GHost Parlour at New Art Projects. The GHost Tunnel references portals, black holes and equates time travel with death as another dimension that we may enter.

1904 Sarah Sparkes

The film gently leads the viewer on a journey beyond the physical and explores the potential for consciousness to time-travel within the material limits of the human body.

1904 Sarah Sparkes still-from-film-Time-You-Need

 

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The latest ACA Project Continuum  is launched and I am looking forward to contributing to the programme with some new work exploring the activity of cosmic rays at the edge of the earths atmosphere. I have had two productive meetings with the Imperial College Space Society and the project to launch a high altitude balloon with a cloud chamber in the payload is underway. The first tasks are to make contact with the Civil Aviation Authority ahead of requesting flight permissions and researching how to safely transport helium to the prospective launch site.

1902 DIY mini cloud chamber

The team have been issued with their own mini cloud chamber kit to test and use as a basis for designing the prototype for launch which must be able to function in low air pressure and turbulence.

There was a fantastic turnout to Culture Lab. Newcastle University for the first Continuum event in an inspiring season of art, science and speculative fiction taking place at Allenheads, Hexham and Newcastle. So happy to be involved in this new project.

1902 Continuum Launch

We heard from Minna Långström about her latest film The Other Side of Mars and her installation Photons from Mars which explore how we see Mars through the mediated eyes of technology.

1902 Continuum launch Minna Langstrom

Robert Good analysed what happens at the intersection of art and science, concluding that insight comes from multiple perspectives working together.

1902 Continuum Launch Robert Good

Pippa Goldschmidt read from her texts The Need for Better Regulation of Outer Space and Falling Sky highlighting the emotional and lived experience of the scientists who square up to the big questions in astronomy. She has fascinating first hand knowledge of the political sensitivities surrounding studying the stars when visiting observatories such as in the Chilean Atacama Desert when the nation is undergoing a military coup.

1902 The Falling Sky - Pippa Goldschmidt

Chris Welch professor of space engineering from The International Space University gave a lively account of Space Travel. Fact and Fiction; current technology, theoretical technology and science fiction technology. Sometimes it’s hard to tell one from the other.

1902 Continuum Launch Chris Welch

He also kindly allowed us to handle a mini rocket smuggled in from Strasbourg

1902 Continuum Launch mini rocket

The artist Nahum relayed a beautiful story of the moon landings from the moon’s perspective written by an 11 year old refugee girl and punctuated by real magic. This originated from his work giving refugee children a sense of belonging by imagining looking back at earth from space to see that we are all human on one tiny planet. In other work aiming to democratise space travel he hypnotised his audience in order to prompt false memories of visiting the moon into their minds.

1902 Continuum Launch Nahum assited by Minna Langstrom

John Bowers and Tim Shaw ended the evening with mesmeric visualisation and acoustics extrapolated from electromagnetic waves generated by meteors, minerals and mystical phenomenon.

1902 Continuum Launch John Bowers

It was a quick visit to Allenheads this time but Annie Carpenter, Nicola Ellis, Robert Good and myself can look forward to an upcoming week of research and stories around the fire as a prelude to making new work for the project.

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Delighted that my work Pentacoronae has been selected for the exhibition Insatiable Mind which is part of the Salisbury International Arts Festival 2019. The festival will highlight the anniversaries of the Fall of the Berlin Wall in 1989 and the Moon Landing of 1969. The exhibition seeks to convey the notion of leaving behind the comforts of the familiar in order to discover the unknown.

Pentacoronae encourages the viewer to seek darkness, stargaze, wonder and map their own stories across the sky.

1902 Pentacoronae photo John Hooper

Maybe I should take my cloud chamber with me to Salisbury just to make sure that clean up of radioactive material was as successful as they claim.

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More exciting news is that Carol Wyss, Anne Krinsky and myself have been awarded a two week takeover of Hackney’s oldest building, St. Augustine’s Tower.

1902 St Augustines Tower 2

The tower is the last remains of the original church built in the late 13th century.

1902 St Augustines Tower 1

Our proposal is for an exhibition of site-specific new works made in response to St. Augustine’s Tower and the historic role of spires as a symbolic connection between earth, mortals and the heavens.

1902 St Augustines Tower

There are four floors connected by a narrow stone spiral staircase.

1902 St Augustines Tower roof

It has an amazing clock dating from about 1580; the pendulum case is on the first floor, the clock on the second and the bell on the third floor.

1902 St Augustines Tower 3

Drawing on our individual interests in geology (Anne Krinsky), anatomy (Carol Wyss) and cosmology (Susan Eyre) we will curate the exhibition with the intent of sparking a dialogue between works installed to convey a cohesive exploration of materiality, the passage of time and wider philosophical issues evoked by these relationships.

1902 St Augustines Tower graveyard

 

The New Materialisms Reading group I attend have been reading The Hidden Life of Trees by Peter Wohlleben. It is extraordinary to discover how trees communicate and consider the slow time at which they operate and the age and extent of the largest known living organism, the fungi web. I also have a whole new raft of guilt to contend with.

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I am also out collecting images of bare branches that resonate with the idea of particle decay.

1901 Cosmic ray decay

1902 disperse prep

In the studio painting ‘entanglement’ in disperse inks to heat press for the semaphore flags ready for the Lizard Point Residency. Semaphore = information at a distance, entanglement = spooky action at a distance (according to Einstein)

 

 

 

 

Out of the Studio….

Called at SPACE to see Anna Chrystal Stephens’ show Anorak. A derogatory term for an obsessive but maybe it’s a necessary trait if you are to survive in alternative social possibilities. Either that or develop superpowers.

1902 Anna Chrystal Stephens

I joined Robert Good at the opening of Word Bank of Lost Dialects at The Word National Centre for the Written Word, South Tyneside. Word Bank of Lost Dialects created by Jane Glennie and Robert Good is a fascinating documentation of the thousands of North East dialect words donated by visitors to The Word’s original Lost Dialects exhibition.

Also opening at The Word was Cracked! Secret Codes and Communication, with a very useful semaphore flag chart – just what I needed for the work I am planning for the upcoming Lizard Point Residency. In 2019 the Lizard is celebrating the 400 year anniversary of Sir John Killigrew’s building of the first lighthouse on Lizard Point in 1619. The subsequent lighthouse also has important links to the search for reliable Longitude measurement, with an assistant to the astronomer royal visiting the lighthouse at the time of the first Transit of Venus to record an accurate location for the Lizard Rocks. The world famous Goonhilly also celebrates the 50 year anniversary of their transmission of the first lunar landings. We will also be visiting wireless and semaphore stations along the Lizard coastal path, considering the Scilly Isles 30 miles out to sea and the important prehistoric menhirs offering ‘beacons’ for travel & procession across the land.

1902 Cracking Codes (1).jpg

Anglo-Saxon Kingdoms at The British Library was full of ancient treasures from the Library’s own collection, including the Lindisfarne Gospels, Beowulf and Bede’s Ecclesiastical History, the Domesday Book and Codex Amiatinus, a giant Northumbrian Bible taken to Italy in 716, returning to England for the first time in 1300 years. A surprising number of books in flourishing scripts, illuminated, illustrated and bound in sculpted covers. However I found it very frustrating to be presented with so many undecipherable pages and envied those muttering in Latin or Old English who could gain some insight. More translations please. Possibly you had to buy the catalogue to learn more.

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Inspired by the legend of How Raven Stole the Sun and brought light to the world Joana Escoval’s  The Sun Lovers at Tenderpixel dazzled with an overload of fluorescent tubes.

1902 Joana Escoval 2

Especially blinding when visiting at the twilight hour. The story and further daydreams  were reduced to minimalist gestures in gold wire, feathers and blasted rock.

To celebrate Chinese New Year of the pig the mass underground car park takeover Four legs good, two legs bad (a quote from George Orwell’s prescient 1945 book Animal Farm)was heavily porcine in theme with a weirdly anarchic yet delineated curation. Pick of the show was Carol Wyss and Anne Leigniel.

Some interesting work in Critical Matter at the reduced RCA Dyson Gallery from Rosanna Dean, Victoria Mihatovic, Susie Olczak and Samuel Padfield. Looking at the very current theme of entanglement of materials in the web of life in reference to the philosophy of  Henri Bergson who wrote Matter and Memory in 1896 which argued against memory as a purely physical embodiment.

Flux Social presenters this month were Adam John Williams // a.k.a Chemical Adam, Adeline Rozario from Tinderdust, and Sofi Lee-Henson. Another interesting evening and good to talk to Adam about his use of the cloud chamber to translate the randomness of radioactive decay into music.

I joined Walking as Material led by Lily German who took us through the city down to the shores of the Thames and up onto the walkways and bridges, stopping to look at the fabric of London and consider its past and the changing materials that make up its surfaces. Also the amount of sewage that must be dealt with.

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We ended the walk at Matter(ing), an exhibition investigating ides of materiality and the outcome of enabling materials to drive the creation of work at Platform Southwark from artists Abigail Brothers, Lily German and Sebastian Sochan.

Enjoyed the connections made by Zach Blas in his performance lecture Metric Mysticism at Edel Assanti. Tracing the use of the crystal ball from John Dee via Derek Jarman, David Bowie’s Labyrinth, Lord of the Rings, Saudi Arabia’s Global Center for Combating Extremist Ideology to Palantir Technologies, a private American software company that specializes in big data analytics. Prophecies of a society controlled by the media and the police appear fulfilled.

1902 Zach Blas metric mystics

Treated to a personal private view of Draft at The Hospital Club by Mary Yacoob. Strong work held it’s own amongst the plush velvet sofas and hand embellished wallpaper.

1902 Mary Yacoob

 

Work in progress experimenting with ideas for some new video pieces that will develop from my collaboration with the high altitude balloon student society at Imperial College London and participation in the Continuum residency at Allenheads Contemporary Arts.

We will be attempting to launch a cloud chamber into space and film the outcome. 1803 filming cloud chamber (1)

 

It will be interesting to see how much cosmic ray activity we can record at high altitude. This is where protons emitted from the sun or distant galaxies crash into the Earth’s atmosphere and break apart.

1901 Cosmic ray decay.jpg

There may be other methods of recording we can try such as stacked layers of very thin plastic sheet which are ionised as the particle passes through and can later be etched to show the resulting track.

On Earth we are also protected from cosmic rays (which are high energy radiation) by the Earth’s magnetic field which is caused by the spinning molten iron core setting up convection currents in a geodynamo process.

1901 gyroscope

I am exploring magnetism and its powers. To be drawn to some powerful source. To fall into a black hole. I am trying ideas of a portal that offers transformation. This is also about returning to Allenheads, being drawn back. A black hole transforms matter, a wormhole deals with exotic matter.

 

Theoretically, to pass through a wormhole you need negative energy.

‘Negative energy is a concept used in physics to explain the nature of certain fields, including the gravitational field and various quantum field effects. In more speculative theories, negative energy is involved in wormholes which may allow for time travel and warp drives for faster-than-light space travel.’

So a portal that transports or transforms you (matter) could channel any ‘negative energy’ present and this could be dissipated by using black tourmaline which is supposed to clear negative energy. This could be the fuel to ignite the process.

I have a obtained a small two way mirror to test for the portal interface so the viewer can witness their own transformation.

1901 two way mirror

This could involve the vital fluids of Animal Magnetism or suggestion therapy of Mesmerism/ Hypnotism.

1901 iron filing tests (3)

 

Magnetoreception is the detection of a magnetic field by an organism. We have a protein (a crytochrome) in the human eye which could serve this function of navigation.

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How can we be equipped for physical or subconscious navigation/transformation?

I will be looking at tracking the electromagnetic field, sending messages and reading codes for new work to be made responding to this years incredible communications double anniversary, for Lizard Lighthouse (400 years) and Goonhilly Earth Station (50 years: transmission of the first lunar landings). I am excited to have been offered a place on the Lizard Point Residency run in partnership with Mayes Creative, Lumen London and the National Trust.  We will be visiting wireless and semaphore stations along the Lizard coastal path, considering the Scilly Isles 30 miles out to sea and the important prehistoric menhirs offering ‘beacons’ for travel & procession across the land.

I have a lovely frosted glass Fresnel lens (as used in lighthouses) to experiment with.

1901 fresnel lens

 

With the prospect of using more technology in my work I spent an intense weekend with Aphra Shemza and Jamie Howard at Ugly Duck learning a quick guide to interactive light art. Had a chance to program an Arduino, solder it to a PCB and connect up individually programmable LED’s to respond to sound with variable colour and brightness. Also first time soldering which was very satisfying.

Not sure how I will cope when I start my own project but at least I know what an Arduino looks like now and some of its possibilities. Also it’s good to know Aphra and Jamie do offer support consultation.

I followed this up joining a Flux event hosted by Maria Almena, Oliver Gingrich and Aphra Shemza at The Library where a diverse mix of artists, musicians and various tech geeks from the creative media arts community come together monthly to network and share crits.  Was fun and welcoming.

Out of the Studio..

The Alicja Kwade installation in Space Shifters at Hayward Gallery was clever

and of course I liked Helen Pashgian’s resin spheres

I do like shiny things and reflective surfaces but this show was overload and works became just that – light entertainment.

Pierre Huyghe Uumwelt at The Serpentine Gallery was not so light and felt a bit like being stranded under medication in some apocalyptic lost outpost trying to make sense of incoherent images morphing into something almost but not quite recognisable.

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The walls were sanded to reveal layers like the dissections of the brain that was scanned to produce the data used to try and build an image from the electrical impulses.

19010 pierre huyghe (3)

The dust filled the air, purposefully bred flies swarmed in vain to escape leaving little corpses on the floor.

1901 pierre huyghe (1)

Francis Upritchard Wetwang Slack at the Barbican Curve. Gorgeous glazes and uncanny mystics.

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Left unsure if this was archaeology or evolution.

Attended the talks accompanying In the Dark curated by Genetic Moo, a London Group event at The Cello Factory.

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Talks by Nick Lambert and Sean Clark from the Computer Arts Society who are celebrating their 50th year anniversary this year, and Jack Addis from the Lumen Prize. Artists discussed their practices and Tim Pickup and Nicola Schauerman from Genetic Moo talked about the challenges of working in the dark when overspill of light from other peoples work reduces the impact of all works.

Tim was wishing for a bulb that emits darkness. I remember Cham telling us about the photomultiplier tubes in the dark matter detector at Boulby Underground Laboratory which he said were in effect reverse lightbulbs, in that they absorb photons rather than emit them.

Made use of a free ticket to London Art Fair, Brockett Gallery had managed to shake of the fair vibe in their installation and I was glad to discover the 1974 film Space Is The Place in the Art Projects Screening Room.

1901 art fair john coney 1974

Presumed lost in space Sun Ra returns to do battle, outwit the white NASA scientists and transport the black race to a new planet in outer space.

Also good to see Thom Bridge’s intriguing self portrait of himself and his twin Theo One Ear Both Eyes which was a requirement of their visa application photograph. Shown so you can’t see both portraits at the same time unlike below. Which is Thom?

Thoughtful and prescient video based work looking at natural selection/personal choice from David Blandy and Larry Achiampong in Genetic Automata at Arts Catalyst. What colour skin would you choose? How far back do we reach for our identity? What can I claim as my own? Net migration google map was fascinating to watch.

Where are those phrenology bumps developing on our contemporary skulls?

1901 larry achiampong and david blandy 3

Falling Stars/Stelle Cadenti exhibition at The Crypt Gallery was a display of work created in response to last years Lumen Atina Residency where the group experiences local astronomical sights and dark skies.

Of Stars & Chasms at ArtHouse1 showing stellar work from Julie F. Hill bringing the astronomical sublime to a bodily encounter.

1901 Julie F Hill (1)

 

 

 

 

 

 

 

– A half of the celestial sphere, the sky.

1811 Cape Foulwind

Exciting news for the New Year. Allenheads Contemporary Arts has been awarded Arts Council funding for the next phase of Beyond, launching as Continuum, ACA will be working with curator Rob Le Frenais.1812 observatoryI am delighted to be part of this new interdisciplinary programme of contemporary art which aims to connect the arts and sciences via the conduit of speculative literature and science fiction.
1812 Cloud Chamber

Also, thanks to the support of Senior Lecturer in Spacecraft Engineering, Aaron Knoll, at Imperial College London I have been offered the opportunity to work with a small team of students to realise the launch of a high altitude balloon with an aim to film a cloud chamber at the edge of the atmosphere where protons crash and decay. If successful, it could be the first time cosmic particles have been filmed in a cloud chamber at 30km altitude.

Aaron has previously launched a high altitude balloon with 12 GoPro cameras to capture 360 footage for a virtual reality experience VR2Space flight to the edge of the atmosphere.

1812 VR balloon experience

Video and data from this experiment undertaken with Imperial College will then feed into the work I will be making as part of Continuum.

I have been thinking about Vitruvian Man as a reference point for making video work with an aerialist and developing some sort of sequence based on this image which Leonardo da Vinci said was cosmography of the microcosm. He saw the workings of the human body as an analogy for the workings of the universe based on symmetry and proportion.

I was thinking of the aerial hoop but the Cyr wheel may work better as this is proportioned to the body of the user. It’s a starting point and I can look at the idea of scale and proportion in relation to the body and space. I came across all female Alula Cyr which have some inspiring work online.

1812 jessica ladley on cyr wheel

Thank you to Wuon-Gean Ho for a short article about my work Duodecimēns in the 2018 Autumn edition of Printmaking Today.

1710 screenprint on aluminium

1810 Printmaking Today

1806 Open Studios

Thames-side Open Studio

Other new work I am developing continues with the idea of the portal. Looking at sacred space as a portal into a spiritual realm promising some sort of transformation and relating this to the power of a black hole and its potential to transform or transport matter.

1811 sacred portal black hole

Popped in to Lumen Studios at St John’s Church Bethnal Green to see Cosmic Debris a durational choreographic installation created with things found on the streets. Aleksandra Borys and Marcio Kerber Canabarro were performing a gentle alignment of matter using incense, bells and ritualistic sequences incorporating balance as a key focus.

Went to Field/s One panel discussion and exhibition at SluiceHQ moderated by Thom Bridge who set up and coordinated this dynamic peer network group of 12 artists engaging in conversations about photography and its wider contexts presenting new works grounded in photography but also extending to video, performance and installation.

1811 FieldsONE exhibition

First images are arriving from the New Horizon flyby of Ultima Thule 6.5 billion km from Earth

1812 Ultima Thule

“We are in the midst of both an incredible and challenging space age. How can we harness the information, collected in silos, from the fields of cosmology and quantum physics to conceive of a more unified vision of how the universe (and us) are put together? Within science and culture – what new models of thought could we foster? How do creativity and consciousness fit into this emerging paradigm? How can we rethink our practices to swerve the impasse some are labelling a new ‘Dark Age’?…”

Following the above brief – London Laser Lab talk

Talks on the intersection of art, science and technology – LASER is a project of Leonardo® /ISAST (the International Society for Art, Science and Technology). London LASER is organised by Heather Barnett and students on the MA Art & Science at Central Saint Martins.

1811 laser lab panel

Re:Thinking Space panel discussion chaired by Nicola Triscott with Dr. Chamkaur Ghag, Dr. Ceri Brenner, Susan Eyre and Dr. Thomas Kitching

I have recently had the opportunity to visit the southern hemisphere. New Zealand is an incredibly beautiful country. I am sure the dramatic geology and awe inspiring landscapes will have an impact on my practice. I finally caught a glimpse of the milky way when the clouds briefly parted during a 2am visit to Mt John Observatory. Underground rafting to see the glow worm caves at Charleston was a beautiful and surreal experience and the spectacular Lord of the Rings tour with Pete from Queenstown OFFROAD tours was an exciting adrenalin rush crashing wildly upstream or precariously navigating the winding and precipitous Skippers Canyon. I was even able to add another Paradise to my documentation archive.

1811 Charleston caverafting1811 Charleston glow worm caves1811 Franz Joseph Glacier1811 Punakaiki Pancake Rocks1812 Lake Mathesan forest1812 Lake Tekapo Mt John Observatory1812 Milford Sound1812 Paradise