Archives for posts with tag: High Altitude Ballooning

New work pentacoronae installed at Grizedale Project Space for In Search of Darkness exhibition curated by art collective Lumen Studios.

1809 Pentacoronae

“Sky glow” is the yellow umbra leaching into the night sky from light polluting urban areas; obscuring our view of the constellations, shrinking our universe and severing our relationship to the stars.
Our ancestors mapped the stars and the shapes and patterns they drew across the darkness became familiar anchors for navigation; describing mythological characters; aligning celestial cycles with the fortunes of everyday life and revealing harbingers of portentous events. This rich history is being lost to a population bathed in the radiant intensity of artificial illumination.

1809 Pentacoronae 2
Light doesn’t always make things more visible. There are other ways to discover the mysteries of the universe and look beyond what our immediate senses tell us is there. Dark Matter is a significant component of the universe, yet we cannot see it. It doesn’t reflect or emit light and so scientists are finding other ways to detect it. In digital visualisations of Dark Matter, organic patterns emerge that could be the veins under our skin or the spreading branches of trees.

1809 Pentacoronae 1
As ever more powerful telescopes and data gathering equipment open new areas of the universe to our view, generating imagery we could never see with our naked eyes, we are drawn to experience space via mediated technologies. Dark sky areas such as Grizedale Forest are precious locations where we can still stargaze, wonder and map our own stories across the sky.

1809 Grizedale Forest

Following on from the group residency earlier in the year we returned

1809 Forest WIP

with new work responding to the naturally dark skies of the Grizedale area  Maria Luigia Gioffre  – a re-tracing of the astral map of 7 July 2018

1809 Maria Luigia Gioffre credit John Hooper

Maria Luigia Gioffre Genealogy of an Asemantic Night – photo John Hooper

Eunjung Kim the journey of unseen travellers across time, memory, the cosmos

1809 eunjumg kim

Julie Hill-‘intimate immensity’ the milky way as bodily encounter

1809 Julie Hill credit John Hooper

Julie F. Hill Dark River photo John Hooper

Anthony Carr– circadian rhythms disrupted

1809 Anthony Carr credit John Hooper

Anthony Carr The Moon, Is The Only Light We’ll See photo John Hooper

Melanie King– ancient light captured

1809 Melanie King credit John Hooper

Melanie King Ancient Light, Grizedale Forest  photo John Hooper

Louise Beer— sounds of the tides slowed; an echo from 420 million years ago

1809 Louise Beer credit John Hooper

Louise Beer Beneath the Moon’s Gaze photo John Hooper

Rebecca Huxley— twilight transitions, a manifesto to darkness

1809 rebecca huxley

Rebecca Huxley 18 degrees below the Horizon 

Diego Valente— “Forests aren’t simply collections of trees….”

1809 Diego Valente

Diego Valente A Copy With No Original

and William Arnold – common lepidopteran misadventures in artificial light

1809 William Arnold 2

William Arnold Dark Spectacle

1809 project Space.jpg

I had the cloud chamber running at the opening event. Photo courtesy of Lumen

1809 Cloud Chamber demo

A cloud chamber gives us a glimpse into the invisible world of particles produced in the radioactive decay of naturally occurring elements and those generated when cosmic rays strike the top of the Earth’s atmosphere. It is a sealed environment containing a supersaturated vapour of pure alcohol sitting over dry ice. Charged particles passing through the chamber cause the vapour to condense resulting in tiny cascading trails. These particles pass though us continuously without our awareness. Witnessing this usually unseen activity can lead us to look beyond what our immediate senses tell us is there and consider the possibility of other intangible phenomena.

1809 Cloud Chamber demo 2

Finale! (another great shot from John Hooper)

1809 dry ice credit John Hooper

At the studio I am moving just across the corridor – mostly so I will have a window but I also gain more space which was great timing to lay out and assemble the suspended sculpture for Grizedale in an empty room.

1809 laying out

1809 assembling

So glad I spent time on careful packing for transporting

1809 preparing for install– getting it up on the scaffolding and hanging was not easy when only one person present has ladder training and therefore allowed at height due to local council health and safety directives.  Thankfully Sean took it in his stride.

1809 install angst

Out of the Studio
Holly Graham Sweet Swollen at Jerwood Project Space. The seductive title is evocative of succulent ripened fruit but also the tenderness of a bruise. This poignant work draws on the history of sugar as a luxury brought to our shores in the 18th century with the taint of colonial violence and the demeaning of those forced to produce treats for European palates. A series of sugar lift etchings depict hands in isolation, the gestures originating from the stylised ‘blackamoor’ figurines that ornament receptacles of the bitter sweet cargo.

1809 Holly Graham

Charmaine Watkiss showing beautiful ephemeral work at the MA Drawing Final Show at Wimbledon College of Art. A collision of then and now, displacement of body and soul, reaching back for symbols of meaning.

Highlights at this years New Scientist Live were talks from Jon Butterworth – Journeys into Particle Physics, Roberto Trotta – What Has Einstein ever done for you? and Dean Burnett – What makes your brain happy?

I came away thinking about what influences my perception of time and the chemicals that subtlety alter how I experience the world.

If you travel close to the speed of light, distances contract in your direction of motion, while time will dilate more and more the faster you move.  A muon lives: about 2.2 microseconds on average. The speed limit of the Universe = the speed of light. Something moving at the speed of light that only lives 2.2 microseconds, should make it only 0.66 kilometers before decaying. A muon has similar properties to an electron. However, it is 200 times heavier. Muons travel at approximately 98% of the speed of light. The closer you move to the speed of light, the slower your clock appears to run. Cosmic ray muons have such high energies that a journey which takes about 300 microseconds from our point-of-view only takes about 1 microsecond for the muon. Time dilation allows these particles to live.

1802 muon

I am beginning research for the High Altitude Balloon project. I need so much help! The good people of the HAB community are thankfully giving me lots of advice. One big concern is that the Allenheads Contemporary Arts potential launch site is high up and in the centre of a very narrow bit of the UK.  Wind makes for a difficult launch and could just take it straight out to sea.

1809 windy HAB.jpg

One of my first jobs is to check with the Civil Aviation Authority that the launch site is safe from their perspective.

18090 CAA.JPG

I want to film particularly at the altitude where peak cosmic ray activity takes place – this is where the secondary particles that we see in the cloud chamber are smashed into existence.  As the particle activity will be invisible I want to film the aesthetics of the curve of the earth and blue haze of the atmosphere bleeding into the blackness of space. I think my target height will be 30km.

1809 cosmic trails.jpg

Cosmic rays are mostly protons and atomic nuclei created in stars and super novae explosions or other unknown events.  Sometimes a rare one will arrive with unimaginably high energy. The first “Oh-My-God particle” was recorded in October 1991 and had an energy 40 million times greater than the Large Hadron Collider can generate with 100 quintillion the photon energy of visible light, it was travelling at 99.999 999 999 999 999 999 999 51% the speed of light. One of these could be passing through you right now.

 

Advertisements

I realised how much I have to learn about weather ballooning while attending the UK High Altitude Society Conference where I was kindly invited to give a short presentation about my hopes to launch my own balloon to film at the edge of the earth’s atmosphere. It was also Helium’s birthday and a cake had been prepared to launch into near space.

1808 UKHAS Balloon launch cake

I found much of the language of the day to be beyond my knowledge with many of the enthusiasts also keen coders and electronic wizards.

1808 UKHAS Balloon launch 1

Still my presentation received a warm response and I am hoping I now have some contacts to call upon as I begin to get to grips with the logistics and add to my list of what is required.

1808 UKHAS Balloon launch

There was a particular enthusiasm to actually launch a cloud chamber. This could be a first if we manage to achieve such a venture.

1808 UKHAS Balloon launch 6.jpg

It is all a delicate balance of weight, helium and wind direction.

1808 UKHAS Balloon launch 4

Wonderful to see the launch.

1808 UKHAS Balloon launch 5

The really tricky bit is the tracking and retrieval. I’m not sure yet if they did get it back as I haven’t yet mastered navigating the websites let alone the skies.

In the studio

– work in progress for In Search of Darkness exhibition at Grizedale Project Space began with some tiny maquettes.

1808 pentagon layout

With valuable advice from John Purcell‘s team helping to choose suitable card I scaled up.

1808 pentacoronae wip 5

Added hand thrown acquatint etched starry skies

1808 pentacoronae wip 4

some screen printed dark matter visualisations and hand drawn star maps

1808 pentacoronae wip 3

folded with light pollution images printed on metallic c-type (from the print space)

1808 pentacoronae wip

and repeated 12 times to reflect the sides of a dodecahedron.

1808 pentacoronae wip 2

Out of the studio

– excellent afternoon spent captivated by Guy Oliver’s performative Songs of Eternal Praise for And You Thought I Was Bad at Zabludowicz Collection. Delivered in sermon style with attendant angelic voiced choir and backing musician; politics and pop culture collide in excruciating discord.

1808 Guy Oliver

Enjoyed Lee Bul’s exuberant mix of materials from the organic to the industrial and all encompassing diatribe on power, politics and the decay under the gloss of idealism at Hayward Gallery.

1808 Lee Bul 3

Lee Bul – Willing To Be Vulnerable

‘I’m fascinated by failures, as well as by the dreams that the dreamers knew could never materialize’  Lee Bul

1808 Lee Bul 2

Lee Bul Thaw (Takaki Masao)

changing landscapes – brutalist concrete edifices – impact of an individual – held in ice – history returning – climate change

1808 Lee Bul 1

Lee Bul Heaven and Earth

Dark depths of the psyche.

Came across this obelisk out in Wiltshire. It is rather stubby and further prevented from piercing the sky by the tree that has grown over the last 250 years to embrace it.

1808 Melksham obelisk

William Eyres – we almost share a name and do share a birth day and month. Born at the time when the Herschel brother and sister astronomers were discovering Uranus and its moons; the moons of Saturn, infrared radiation and performing deep sky surveys. You died just before electric light spread its glow into the night.
Dark skies were yours.