Archives for posts with tag: Lizard Point

Lizard Point Residency Exhibition travelled from the rambling halls of The Museum of Cornish Life in Helston to the subterranean curves of Lumen Studios Crypt at St. John on Bethnal Green London. A squeeze for eighteen artists but helped by the crossovers in work created responding to the communication heritage and dark skies of the Cornish Coast experienced during the early spring residency.

1910 at a distance sculpture

My contribution to this exhibition At a distance (click for video link) 

Solitary figures using semaphore flags sign ‘We Are One’ out across the ocean; filmed on 29th March 2019 (the first date the UK was supposed to leave the EU).

1910 At a distance semaphore

As in entanglement theory where two paired electrons mirror each other at a distance it is hoped the message will be echoed back.

1910 At a distance echo

The work looks at methods of communication across space. It relates this to the mysterious twinning of electrons in quantum entanglement where particles link in a way that they instantly affect each other, even over vast distances, and which Einstein famously called ‘spooky action at a distance’. The resulting video is back projected onto a Fresnel lens, the type found in lighthouses to increase luminosity of the lamps beam, another form of messaging over distance.

1910 At a distance lamp 1

The semaphore sequences interplay with mirrored imagery of the lizard lighthouse lamp as it powers up gaining brilliance as darkness falls.

1910 At a distance lamp 2

Astro-archaeologist Carolyn Kennet gave a very interesting talk at the exhibition private view. We often think about how long it takes light to travel from the stars to us but as she pointed out, this year sees the 400 year anniversary of Lizard Lighthouse and if you were looking back towards Earth from the Pleiades which are around 400 lightyears away you would just be seeing the photons of light arriving from the lighthouse as the first fires were lit to guide the ships navigating the treacherous rocky seas.

1910 The Pleiades.jpg

A short video documenting Continuum has been released by Allenheads Contemporary Arts. An inspiring season of art, science and speculative fiction ending in a midsummer’s weekend of extraordinary events.

1910 ACA solstice sunset.jpg

Out of Studio…

Other Spaces at 180 The Strand

Light and Sound Installations from London-based United Visual Artists founded by Matt Clark who integrate new technologies with traditional media such as painting, sculpture, performance, and site-specific installation.

Vanishing Point is inspired by Renaissance drawings by Leon Battista Alberti, Leonardo Da Vinci and Albrecht Durer.

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The Great Animal Orchestra –  a soundscape of animal recordings, captured in their natural habitats around the world by sound ecologist Bernie Krause visualised by UVA into abstract spectrogram landscapes of the environments where the animals live.

1910 UVA Bernie Krause

ERRATA (Extreme Remote Rural Artist Travel Agency) Gaada hosted by Creekside Artists for Artlicks Weekend 2019.

Ever wished to leave the city for a far away place + a new island life? Shetland artist-led initiative Gaada critically explore the barriers and benefits of contemporary art practice in extreme, remote, rural contexts. What does an art ecology look like without buyers / galleries / studios / making facilities / public transport links ?

London visitors were invited to answer questions posed by the artists and consider how an art practice might be sustained outside of the city.

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Emerging Cosmic Landscapes Symposium at University College London.

An event exploring the benefits of art/science relationships at the culmination of Lisa Pettibone’s year-long residency at Mullard Space Science Laboratory (UCL) along with collaborator Dr Tom Kitching, science lead on MSSL’s Euclid Mission and Ben Murray (Kings College London and co-director of Phenotypica). What came across was the shared benefit of cross discipline collaboration. The artist enjoying access to question the motivations of the scientists and observe their operations while opening up a more sensory approach for the scientists to engage with materials and use hands on ‘play’ to explore ideas.

‘The ability to perceive or think differently is more important than the knowledge gained’ David Bohm

1910 Lisa Pettibone

The Star Survey Workshop at Guest Projects created by Niccolò Moronato.

‘We base our knowledge of the universe on science and scientific exactitude, but at the same time, we can’t help but use exotic drawings in the sky to orient our searching and predict future events. So what would happen if we moved to an entirely new context?’

Through a scientific collaboration with Chicago’s Adler Planetarium Niccolò Moronato was able to obtain the first photographic view of the sky from Trappist-1, a ‘twin’ planet of Earth located 40 light years away and make an attempt to become familiar with the new sky.

In the workshop we were invited to draw upon random patterns taken from the Trappist sky. Our interpretations were then looked at by the group to tell a story from the collective imagination which would become the mythology of this alien constellation.

1910 star survey workshop

Artist Workshops at The Bomb Factory with Kate Fahey and curator Séamus McCormack as part of  ‘Scaffold’

We were invited to bring along an object / text / image, which has been key in the development of a recent work or has been sitting in the studio and is in someway relevant to a project you are working on or your wider artistic practice. We each wrote our thoughts about one of the items brought and then discussed our responses as a group. This led to wider conversations about work methods and outcomes which helped analyse the process of creating to give us shared insights into the creative process. This was followed by a discussion on support structures an artist relies on and a closer look at how an artists time and energy is divided between creativity and practice maintenance such as social media, open calls, galleries and finance.

1910 workshop

The exhibition Scaffold looks at the structures we may encounter in our daily and digital lives and the anxiety we feel when those structures break down. Situations are posed of an overload of information, loss of a wi-fi signal, loss of memory, incomprehensible data, the inability to access information. The fallibility of how information is stored and communicated whether in the mind, on a data stick, a book, in radio waves, remotely via drone and digital signals is considered. The overall effect leaves the viewer on unstable ground looking for that scaffolding to hold onto to, a return to the body and the physically known.

1910 Scaffold

Kate Fahey’s practice explores embodied experiences with contemporary screen-based, techno-scientific images, reimagining bodily presence in the military’s highly mediated representation of warfare online. Adam Gibney’s works highlight the relationship between scientific uncertainties and the anxious state we sometimes occupy. Jonathan Mayhew is interested in moments when edges blur and ideas of ourselves along with the world around us are ruptured.

 

Reading stones could be considered the first instruments used to create an enhanced sensory experience. Originally made from ground and polished rock crystal or beryl, they were placed over texts to magnify them.

1909 reading stones

This early optical technology paved the way toward observation of the furthest reaches of the universe and its minutest components.

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Both the telescope and microscope are referenced by the sculpture Baetylus installed on St. Augustine’s Tower roof for the exhibition Reading Stones.

1909 Baetylus installed St Augustines Tower

Baetylus (meaning from the house of god), are sacred stones/meteorites of divine origin.

In this case sold to me for £6, a 15mm Nickel Iron Meteorite from Campo Del Cielo Argentina, falling 5000-6000 years ago. Photographed with a macro lens and direct to media printed onto acrylic by Genesis printing. The steel frame expertly welded by Nick Amott of J.& R. Precision Engineers.

1909 welding

The wind and rain on the roof soon added to the piece.

1909 Baetylus meteor shower

rain + meteor = meteor shower

An object falling through space distorts not only the space it travels through but also time as space and time are inexorably linked.

Each visit to the roof gave a different experience of the work.

1909 Baetylus 1

The act of “reading stones” can refer to both the scientific practice of geological investigation and the ritual of lithomancy which seeks to interpret the patterns of stones cast by those wishing to divine the future.

1909 Lithomancy reading

Offering ‘readings’ gave visitors a personal perspective to consider when thinking about how we experience time and negotiate the future. The board, a salvaged old table top was screen printed with a design created after researching the ancient art of lithomancy and prevalent variations. I gave the board a geological emphasis and aligned the areas of activity with traditional associations such as sedimentary = home, boulders = obstacles and challenges, strata = knowledge and experience.

1909 lithomancy board

The gemstones were assigned properties according to traditional meanings.

1909 assigning stones

It was magical to spend so much time within the thick stone walls of St. Augustine’s Tower, ascending and descending the steep narrow spiral stairs adding yet another infinitesimal trace to the worn history of the steps.

1909 St Augustine tower stairs

Working with Carol Wyss and Anne Krinsky on this project was a pleasure and we were delighted with the public response to the exhibition.

1909 Carol Wyss All that remains

Carol Wyss All That Remains 

“My aim is to re-create the original ‘UR’ bone which has neither gender nor race, the first ever bone which existed, the one which fell from heaven or space. It is an attempt at merging all the bones of the human skeleton into one entity, which then becomes the common denominator, the starting point from which all bones and consequently all humans came. I am referring to the bible story of Eve’s creation from Adam’s rib, the Greek myth of Pyrrha with the creation of humans from the stones / bones of the earth and Da Vinci’s perfectly proportional Vitruvian man, as well as to science’s search for the ultimate building blocks of our universe.” Carol Wyss

1909 Carol Wyss

1909 Carol Wyss Os

Carol Wyss Os

Deucalion and his wife Pyrrha were the only survivors of the great deluge and landed on Mount Parnassus, the only place spared by the flood.
Deucalion consulted an oracle of Themis about how to repopulate the earth. He was told to throw the bones of his mother behind his shoulder.
Deucalion and Pyrrha understood the “mother” to be Gaia, the mother of all living things, and the “bones” to be rocks.
They threw the rocks behind their shoulders, which soon began to lose their hardness and change form.
Their mass grew greater, and the beginnings of human form emerged.
The parts that were soft and moist became skin, the veins of the rock became people’s veins, and the hardest parts of the rocks became bones.
The stones thrown by Pyrrha became women; those thrown by Deucalion became men.

1909 Carol Wyss Osmosis

Carol Wyss Osmosis

All the sons of Adam are part of
One single body,
They are of the same essence.
When time afflicts us with pain
In one part of that body
All the other parts feel it too.
If you fail to feel the pain of others
You do not deserve the name of man.
― Saadi Shirazi 1258

1909 Anne Krinsky Ephemera Scrolls 2

Anne Krinsky Ephemera Scrolls

“I am interested in the ephemeral nature of the physical world – in the transformation of terrains and in the erosion of stone, wood and metal over time. In developing imagery for the Ephemera scrolls, I wanted to create visual relationships across time and space. I photographed the Tower’s clock mechanism and gravestones from the surrounding garden and other London churchyards. During a recent residency at Oberpfalzer Kunstlerhaus in Schwandorf, Germany, I photographed the River Naab, as its water levels dropped during the hottest June on record. I feel impelled to document changes to wetlands and waterways in this time of accelerating climate change.” Anne Krinsky

1909 Anne Krinsky Ephemera Scrolls 1

Anne Krinsky Ephemera Scrolls

Time Crystals video work installed alongside the tower’s ancient clock builds on an interest in the mystery of time viewed across human, cosmological and quantum scales.

1909 St Augustines Tower Clock

The clock by which we measure time on our watches and digital devices is very misleading;
it is determined by the daily rotation of the Earth around its axis and its annual rotation around the sun.
This astronomical time is linear and regular.
But the actual clock by which we live our socioeconomic lives is an emergent phenomenon determined by the collective forces of social interaction:
it is continually and systematically speeding up relative to objective astronomical time.
– Geoffrey West, 2017

The patterns employed within the film and spilling out from the projection as 3D triangles mirror the crystal structure of the mineral beryl, commonly used to fashion the original reading stones.

1909 time crystals video still

The work also makes reference to the scientific theory of time crystals; a model which proposes a structure that repeats in time, as well as in space. Variations in perspective are manipulated through the speeding up, slowing down and overlapping of events to deconstruct a linear flow of time and interrogate the methods by which humans measure and experience this phenomenon.

It is within my mind then, that I measure time. I must not allow my mind to insist that time is something objective.
When I measure time, I am measuring something in the present of my mind. Either this is time, or I have no idea what time is.
― St. Augustine of Hippo, 397

1909 Time Crystals

How can the past and future be, when the past no longer is, and the future is not yet?
As for the present, if it were always present and never moved on to become the past, it would not be time, but eternity.
― St. Augustine of Hippo, 397

Using Carlo Rovelli’s book The Order Of Time as a reference guide and the quotes of St. Augustine as points of enquiry the repeating layered films were made using time lapse and slow motion; recording the exchange of energy as objects collide, heat up, cool down, travel at speed, transform, reflect and absorb, display traces of past events and embark on supposedly predictable trajectories. How we experience time is relative to where we are in the universe, our proximity to a larger mass and how fast we are moving.

 

A crystal is like a class of children arranged for drill, but standing at ease,
so that while the class as a whole has regularity both in time and space, each individual child is a little fidgety.
– Dame Kathleen Lonsdale, 1948

The fabric of the ancient building also helped determine the work installed. The 3D element of my video installation needed to be built in situ. One challenge was projecting in portrait mode to neatly fit the wall space between window and clock mechanism. Projectors are not supposed to be set on their side but with an adapted ceiling mount allowing clear air vents for the fan it all worked out fine.

1909 making triangles

Clamps, weights, stitching, balancing and non invasive means of installing had to be employed not to harm the Grade I listed heritage site.

1909 time crystals video installation detail

On location. After much searching a secret tower in the woods was found, knotted within dense undergrowth. Hidden in time and space.

1909 secret tower

Artlyst review of Reading Stones. by Jude Cowan Montague.

A pleasure to be asked back to Guest Projects for a filmed interview about my experience during the residency Laboratory of Dark Matters for a promotional video to launch Yinka Shonibare’s new residency programme opening in Lagos.

 

I attended the UK High Altitude Society Conference 2019 to give an update on the project aiming to launch a cloud chamber in a high altitude balloon.

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Live Stream of conference presentations – my presentation at 3:30 in.

Very interesting talk from Michael Johnson on citizen space exploration & inflatable spacecraft, building on past developments of inflatable spacecraft from NASA new technology could see thousands of tiny spacecraft launched within days as opposed to decades.

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1909 pocket spacecraft 4

He also allowed us to hold the tiny spacecraft.

Finished working on video sculpture At a distance which has been installed at The Museum of Cornish Life, Helston for the Lizard Point Residency Touring Exhibition.

1909 at a distance install

This residency was inspired by an incredible communications double anniversary in 2019, for Lizard Lighthouse (400 years) and Goonhilly Earth Station (50 years: transmission of the first lunar landings), considering the importance of life-saving lighthouse beacons and internationally important transmissions across the sea and sky.

1909 Lizard Lighthouse

Lizard Point, overlooking the Atlantic, benefits from natural darkness, natural beauty and is a great spot for viewing the Moon, stars and meteor showers.

1909 Lizard Lighthouse 21909 LIGHTHOUSE beam

Staying on site, next door to the famous Lizard Lighthouse, artists had the opportunity to create works responding to the variety of astronomical sights found there, as well as be inspired by the rich communications heritage along this very special part of the SW coastal path.

Solitary figures using semaphore flags sign ‘We Are One’ out across the ocean; filmed on 29th March 2019 (the first date the UK was supposed to leave the EU).

1909 At a distance 1

As in entanglement theory where two paired electrons mirror each other at a distance it is hoped the message will be echoed back. The work looks at methods of communication over distance. It relates this to the mysterious twinning of electrons in quantum entanglement where particles link in a way that they instantly affect each other, even over vast distances, and which Einstein famously called ‘spooky action at a distance’. The video is back projected onto a Fresnel lens, the type found in lighthouses to increase luminosity of the lamps beam, another form of messaging over distance.

1909 At a distance 2

The video sequences through five sets of semaphore messages. Each message is echoed back within a swirling force field emanating from across the ocean repeating the pattern of the flag representing entanglement. This is interspersed with imagery from video captured of the Lizard Point Lighthouse Lamp slowly waking and powering up from dim to dazzling light, split and mirrored in a circle of sending and receiving messages.

 

The Museum of Cornish Life is surprisingly vast and crowded with innumerable artefacts at every scale. A fearsome cider press the size of a lorry included. The long passage through the museum to the exhibition rooms encounters an overwhelming volume of items jostling for attention.

1909 Helston museum

Here are the records of events from which we infer the past.

While in Cornwall there was time for a quick visit to Tate St. Ives. An unexpected treat to find Otobong Nkanga’s excellent exhibition From Where I Stand looking at the glittery desirability of minerals and the scars left on the landscape and people by it’s extraction.

What could a monument be? Is it the thing we build or the thing we have taken away from? A place of emptiness is the monument to remind us there is no possibility of getting back to what has been – Otobong Nkanga

Sensory overload on the Lizard Point Artist Residency hosted by Mayes Creative and Lumen London. Serpentine rocks, wide horizons, sparkling sea, dark starry skies swept by the dazzling beam of Lizard Lighthouse.

1903 lighthouse beam

We are here to research the communication heritage of this dramatic coastline once plagued by shipwrecks and pirates.

1903 lizard lighthoouse

Rachel Holder from the National Trust guided us along the cliff path and told stories of the treacherous seas and lives lost on the hidden rocks. We heard about the history of Lizard Lighthouse and other methods of communication across distances.

1903 lighthouse lens 21903 semaphore station1903 triangulation point1903 radio station

We visited Marconi’s radio station hut which was full of wonderful scientific equipment like spark transmitters and Morse code machines. In the early 1890s, Marconi began working on the transmission of telegraph messages without connecting wires. An early experiment was a storm alarm made up of a battery, a coherer (an early form of radio detector consisting of a glass tube loosely filled with metal filings whose bulk electrical resistance decreased in the presence of radio waves), and an electric bell, which went off when it picked up the radio waves generated by lightning.

1903 marconi chart

The message ‘WE ARE ONE’ was filmed on 29th March {non} Brexit Day signing with entanglement semaphore flags across the ocean

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The plan is to make a film exploring communication across distances, relating it to entanglement theory where two paired electrons mirror each other. This will then be back projected onto a frosted Fresnel lens as used by lighthouses.

1903 fresnel lens 3

Joanna Mayes gave us a warm welcome to Cornwall on arrival as we witnessed the molten sun colour the whole sky before dropping out of sight.

1903 sunset

Sitting in the receding warm glow of the sunset we listened to the electromagnetic musical collaboration between sound artist Justin Wiggan and some house plants.

1903 plant biometric sounds

The meteor viewing pod created by artists Andrew Bird and Christina Romero-Cross was installed in the YHA grounds where a series of Deep Time films commissioned by Mayes Creative were screened with the sequence to be controlled by a cosmic ray detector.

1903 meteor pod

Two Geiger counters with lead between them identify those particles coming from outer space.

1903 cosmic ray detector

Astroarchaeologist Carolyn Kennett led us along a section of the Southwest Coast Path from Ruan Minor to Cadgwith via Poltesco Old Serpentine Works.

1903 Kuggar bay

Carleon Cove is full of Kennack gneiss, giant pebbles of pale pink granite and dark grey basalt banded together during enormous geological upheavals as the Lizard was thrust northwards and the melted rocks were fused together.

1903 pink geology

Constant swirling sea sculpting

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organic micro rock constellations

1903 beach barnacles

The Sky Disc of Nebra is a Bronze-age astronomical disc possibly used to determine the seasons for sowing and harvesting in the Halle area of Saxony-Anhalt, Germany. It is the oldest depiction of the cosmos yet known from anywhere in the world. It was discovered in 1999 by metal detectorists working illegally who sold it onto the black market where  it was later recovered in a police sting operation. Analysis shows the gold and tin used in the disk were from the Carnon Valley in Cornwall. Evidence of ancient links between communities.

Digital StillCamera

Workshops during the residency included looking at found matter under the microscope

1903 microscope silver foil
A Chemigram workshop which involves painting various resist materials such as toothpaste, suncream and honey onto photographic paper before exposing to sunlight, fixing and developing.


Astrophotography; learning the camera settings to use to capture the extraordinarily starry night sky we were fortunate to experience. This shot was using bulb mode, focus infinity, 2.8 aperture, 3200 ISO, 30 sec exposure.

1903 stargazing

We did have to try and escape the sweeping beam of the Lizard Lighthouse but for some shots the added exposure gave some interesting results.

1903 astrophotography

On the trip down to join the art and science Lizard Point artist residency we found ourselves serendipitously having a delicious afternoon tea at The Cornubian Arts & Science Trust (CAST)

The original Science and Art School was built in 1897 by Cornish philanthropist John Passmore Edwards at the request of local people.

1903 Helston Art and Science school.jpg

The disperse papers left over from making the entanglement semaphore flags have good wormhole portal potential

1903 portal

Two great resources discovered:

Design Me print studio where I have tracked down a large format heat press available for open access.

Fat Llama a rental resource for practically anything and everything.

I rented an EF 100 f2.8 USM macro lens and set up a mini green screen in the studio. Apparently black tourmaline is good at cleansing negative energy so I sourced a pendant to use to create a hypnotic state of relaxation encouraging the release of negative energy to power the transformation wormhole. Have changed the chain to leather thong.

1903 black tourmaline

Not sure what the backdrop will be yet. Also tested the movement of iron filings against the green screen.

1903 iron filings green screen

I made a frozen ice disk and tested back projecting particle trails onto it. This was tricky to film as rather slippy but I can see this could be a good effect showing the detail in the ice.

1903 projections on ice

Cosmic rays stain icey asteroids red.

1903 ice stain

Tested filming the cloud chamber with the macro lens and although the depth of field maybe better because it’s such a small area in the viewfinder I didn’t capture many trails.

1903 particle trail 5

I’m not sure the result was better.

1903 particle trail 3

Got some good air turbulence though

1903 turbulence

The plan here was to have dry ice vapour coming through the perforations

1903 perforations

I made a site visit in heavy rain to Salisbury Arts Centre

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I will be installing Pentacoronae hanging sculpture for the Insatiable Mind exhibition as part of Salisbury International Festival.

1809 Pentacoronae

It was great to meet everyone and hear about their ambitions for the space. Being an old Church the ceilings are very high. It’s going to be a challenge but they do have their own cherrypicker.

1903 Salisbury Arts Centre

In preparation for the launch of the high altitude balloon with a cloud chamber in the payload students from Imperial College Space Society experimented with the mini DIY Cloud Chamber kits I provided.

1903 testing mini chamber 2

They are testing outcomes to design a prototype chamber that can withstand low pressure at high altitude, also they must ensure the base plate is kept extremely cold to create the supersaturated environment but any batteries onboard are kept warm enough to function and that turbulence doesn’t cause a whirlpool effect in the cloud.

1903 testing mini chamber 1

It looks like we might be launching from an airfield near Oxford.

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The New Materialisms Reading Group I attend are currently reading Scale. Geoffrey West’s research centres on a quest to find unifying principles and patterns connecting everything, from cells and ecosystems to cities, social networks and businesses. Full of interesting facts about heartbeats and energy, lifespans and growth cycles.

1903 tree rings

It has been alarming to read about the terrifying unpredictable phenomenon of exponential growth. At the beginning growth is slow, but this soon accelerates to such a rate that it becomes out of control, unstoppable and then collapses under its own weight.

I am also still trying to understand entropy as explained by Carlo Rovelli in The Order of Time. So, the universe began with low entropy and it has been increasing ever since, the past leaves traces in the present caused by the irreversible process of energy degrading into heat from which our brains create extensive maps of past events and this is what gives us the sensation of time passing.

1903 Braeg sundial.jpg

Out of Studio

A packed gallery for Ray Richardson‘s entertaining talk and screening of award winning Our Side of the Water at Thames-side Studios shows how much he is held in our mutual esteem.

1903 Ray Richardson.jpg

Fun night with Andy Holden at The Cinema Museum.

1903 Andy Holden Cinema Museum

Laws of Motion in a Cartoon Landscape uses live green screen filming allowing the narrator to interact with clips from hundreds of cartoons. The film proposes the world is best understood as a cartoon through examining the formation of ‘laws’ within cartoons as a way of making sense of the world we inhabit, a space where anything could potentially happen.

1903 Andy Holden Cinema Museum 1

I joined some students from Imperial College Space Society and other High Altitude Balloon enthusiasts at Wormwood Scrubs for the launch of a couple of Pico balloons that they are testing tracking with the aim of making a complete circuit of Earth.

1903 pico launch 1

Anxious moments as the balloon barely gains height but soon it has vanished from sight

1903 pico launch

The next couple of hours are spent listening in for the tracker system transmissions which can drop in and out of range; travelling at something like 60metres/second both balloons made it to Belgium before the transmissions ceased.

1903 pico launch 2

Work resulting from an unexpected encounter that demands attention in By The Way at Lewisham Art House had some ephemeral photopolymer etchings of found seashore plastic by Sam Hodge.

1903 Sam Hodge.jpg

I also liked this work by Mark Sowden who photographed found frames and then mounts the resulting image in the frame.

1903 Mark Sowden.jpg

Great show Undertow at Sluice HQ. When prevailing discourses tip towards hyperbole, generalisations or simplification, there is a need to swim against the current, to carve out a space that allows for ambiguity, correspondence and a quieter voice. In the employment of few words, a scale of action or use of minimal materials, understatement can be both a way of confronting moments of crisis, or of evading them.

Alex Simpson Scratching the surface    /    Lauren Ilsley Fluvial Additions

 

Time Tries All Things video installation at the Institute of Physics by Grace Weir explored time and our human relationship with it.

1903 Grace Weir Time Tries All Things

Two narrators consider time from different perspectives against the backdrop of a stone carver replicating a plaque, repeating time.

DAVID:
I think when people talk about time they often confuse two sorts of thing.
There is time itself and there is what’s called the arrow of time, which is
direction, and its perceived nature as a human being.

FAY:
Being or becoming is an ancient question.
Ever since we have records of people thinking about the world, in ancient
Greek philosophy for example, there have been people on both sides of
this debate.

The complete audio transcript is available here.

There is a very impressive diffusion Cloud Chamber in the foyer at The Institute of Physics. Lots of activity but it was hard to see the particle trails clearly through all the reflections. 1903 Diffusion cloud chamber

They also have a cosmic ray detector on the roof which has scintillator plates containing molecules of a substance which emit a tiny flash of light when they are hit by a high-energy particle.

1903 scintillating sea.JPG

 

The latest ACA Project Continuum  is launched and I am looking forward to contributing to the programme with some new work exploring the activity of cosmic rays at the edge of the earths atmosphere. I have had two productive meetings with the Imperial College Space Society and the project to launch a high altitude balloon with a cloud chamber in the payload is underway. The first tasks are to make contact with the Civil Aviation Authority ahead of requesting flight permissions and researching how to safely transport helium to the prospective launch site.

1902 DIY mini cloud chamber

The team have been issued with their own mini cloud chamber kit to test and use as a basis for designing the prototype for launch which must be able to function in low air pressure and turbulence.

There was a fantastic turnout to Culture Lab. Newcastle University for the first Continuum event in an inspiring season of art, science and speculative fiction taking place at Allenheads, Hexham and Newcastle. So happy to be involved in this new project.

1902 Continuum Launch

We heard from Minna Långström about her latest film The Other Side of Mars and her installation Photons from Mars which explore how we see Mars through the mediated eyes of technology.

1902 Continuum launch Minna Langstrom

Robert Good analysed what happens at the intersection of art and science, concluding that insight comes from multiple perspectives working together.

1902 Continuum Launch Robert Good

Pippa Goldschmidt read from her texts The Need for Better Regulation of Outer Space and Falling Sky highlighting the emotional and lived experience of the scientists who square up to the big questions in astronomy. She has fascinating first hand knowledge of the political sensitivities surrounding studying the stars when visiting observatories such as in the Chilean Atacama Desert when the nation is undergoing a military coup.

1902 The Falling Sky - Pippa Goldschmidt

Chris Welch professor of space engineering from The International Space University gave a lively account of Space Travel. Fact and Fiction; current technology, theoretical technology and science fiction technology. Sometimes it’s hard to tell one from the other.

1902 Continuum Launch Chris Welch

He also kindly allowed us to handle a mini rocket smuggled in from Strasbourg

1902 Continuum Launch mini rocket

The artist Nahum relayed a beautiful story of the moon landings from the moon’s perspective written by an 11 year old refugee girl and punctuated by real magic. This originated from his work giving refugee children a sense of belonging by imagining looking back at earth from space to see that we are all human on one tiny planet. In other work aiming to democratise space travel he hypnotised his audience in order to prompt false memories of visiting the moon into their minds.

1902 Continuum Launch Nahum assited by Minna Langstrom

John Bowers and Tim Shaw ended the evening with mesmeric visualisation and acoustics extrapolated from electromagnetic waves generated by meteors, minerals and mystical phenomenon.

1902 Continuum Launch John Bowers

It was a quick visit to Allenheads this time but Annie Carpenter, Nicola Ellis, Robert Good and myself can look forward to an upcoming week of research and stories around the fire as a prelude to making new work for the project.

1806 fire

Delighted that my work Pentacoronae has been selected for the exhibition Insatiable Mind which is part of the Salisbury International Arts Festival 2019. The festival will highlight the anniversaries of the Fall of the Berlin Wall in 1989 and the Moon Landing of 1969. The exhibition seeks to convey the notion of leaving behind the comforts of the familiar in order to discover the unknown.

Pentacoronae encourages the viewer to seek darkness, stargaze, wonder and map their own stories across the sky.

1902 Pentacoronae photo John Hooper

Maybe I should take my cloud chamber with me to Salisbury just to make sure that clean up of radioactive material was as successful as they claim.

1711 cosmic trail

More exciting news is that Carol Wyss, Anne Krinsky and myself have been awarded a two week takeover of Hackney’s oldest building, St. Augustine’s Tower.

1902 St Augustines Tower 2

The tower is the last remains of the original church built in the late 13th century.

1902 St Augustines Tower 1

Our proposal is for an exhibition of site-specific new works made in response to St. Augustine’s Tower and the historic role of spires as a symbolic connection between earth, mortals and the heavens.

1902 St Augustines Tower

There are four floors connected by a narrow stone spiral staircase.

1902 St Augustines Tower roof

It has an amazing clock dating from about 1580; the pendulum case is on the first floor, the clock on the second and the bell on the third floor.

1902 St Augustines Tower 3

Drawing on our individual interests in geology (Anne Krinsky), anatomy (Carol Wyss) and cosmology (Susan Eyre) we will curate the exhibition with the intent of sparking a dialogue between works installed to convey a cohesive exploration of materiality, the passage of time and wider philosophical issues evoked by these relationships.

1902 St Augustines Tower graveyard

 

The New Materialisms Reading group I attend have been reading The Hidden Life of Trees by Peter Wohlleben. It is extraordinary to discover how trees communicate and consider the slow time at which they operate and the age and extent of the largest known living organism, the fungi web. I also have a whole new raft of guilt to contend with.

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I am also out collecting images of bare branches that resonate with the idea of particle decay.

1901 Cosmic ray decay

1902 disperse prep

In the studio painting ‘entanglement’ in disperse inks to heat press for the semaphore flags ready for the Lizard Point Residency. Semaphore = information at a distance, entanglement = spooky action at a distance (according to Einstein)

 

 

 

 

Out of the Studio….

Called at SPACE to see Anna Chrystal Stephens’ show Anorak. A derogatory term for an obsessive but maybe it’s a necessary trait if you are to survive in alternative social possibilities. Either that or develop superpowers.

1902 Anna Chrystal Stephens

I joined Robert Good at the opening of Word Bank of Lost Dialects at The Word National Centre for the Written Word, South Tyneside. Word Bank of Lost Dialects created by Jane Glennie and Robert Good is a fascinating documentation of the thousands of North East dialect words donated by visitors to The Word’s original Lost Dialects exhibition.

Also opening at The Word was Cracked! Secret Codes and Communication, with a very useful semaphore flag chart – just what I needed for the work I am planning for the upcoming Lizard Point Residency. In 2019 the Lizard is celebrating the 400 year anniversary of Sir John Killigrew’s building of the first lighthouse on Lizard Point in 1619. The subsequent lighthouse also has important links to the search for reliable Longitude measurement, with an assistant to the astronomer royal visiting the lighthouse at the time of the first Transit of Venus to record an accurate location for the Lizard Rocks. The world famous Goonhilly also celebrates the 50 year anniversary of their transmission of the first lunar landings. We will also be visiting wireless and semaphore stations along the Lizard coastal path, considering the Scilly Isles 30 miles out to sea and the important prehistoric menhirs offering ‘beacons’ for travel & procession across the land.

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Anglo-Saxon Kingdoms at The British Library was full of ancient treasures from the Library’s own collection, including the Lindisfarne Gospels, Beowulf and Bede’s Ecclesiastical History, the Domesday Book and Codex Amiatinus, a giant Northumbrian Bible taken to Italy in 716, returning to England for the first time in 1300 years. A surprising number of books in flourishing scripts, illuminated, illustrated and bound in sculpted covers. However I found it very frustrating to be presented with so many undecipherable pages and envied those muttering in Latin or Old English who could gain some insight. More translations please. Possibly you had to buy the catalogue to learn more.

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Inspired by the legend of How Raven Stole the Sun and brought light to the world Joana Escoval’s  The Sun Lovers at Tenderpixel dazzled with an overload of fluorescent tubes.

1902 Joana Escoval 2

Especially blinding when visiting at the twilight hour. The story and further daydreams  were reduced to minimalist gestures in gold wire, feathers and blasted rock.

To celebrate Chinese New Year of the pig the mass underground car park takeover Four legs good, two legs bad (a quote from George Orwell’s prescient 1945 book Animal Farm)was heavily porcine in theme with a weirdly anarchic yet delineated curation. Pick of the show was Carol Wyss and Anne Leigniel.

Some interesting work in Critical Matter at the reduced RCA Dyson Gallery from Rosanna Dean, Victoria Mihatovic, Susie Olczak and Samuel Padfield. Looking at the very current theme of entanglement of materials in the web of life in reference to the philosophy of  Henri Bergson who wrote Matter and Memory in 1896 which argued against memory as a purely physical embodiment.

Flux Social presenters this month were Adam John Williams // a.k.a Chemical Adam, Adeline Rozario from Tinderdust, and Sofi Lee-Henson. Another interesting evening and good to talk to Adam about his use of the cloud chamber to translate the randomness of radioactive decay into music.

I joined Walking as Material led by Lily German who took us through the city down to the shores of the Thames and up onto the walkways and bridges, stopping to look at the fabric of London and consider its past and the changing materials that make up its surfaces. Also the amount of sewage that must be dealt with.

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We ended the walk at Matter(ing), an exhibition investigating ides of materiality and the outcome of enabling materials to drive the creation of work at Platform Southwark from artists Abigail Brothers, Lily German and Sebastian Sochan.

Enjoyed the connections made by Zach Blas in his performance lecture Metric Mysticism at Edel Assanti. Tracing the use of the crystal ball from John Dee via Derek Jarman, David Bowie’s Labyrinth, Lord of the Rings, Saudi Arabia’s Global Center for Combating Extremist Ideology to Palantir Technologies, a private American software company that specializes in big data analytics. Prophecies of a society controlled by the media and the police appear fulfilled.

1902 Zach Blas metric mystics

Treated to a personal private view of Draft at The Hospital Club by Mary Yacoob. Strong work held it’s own amongst the plush velvet sofas and hand embellished wallpaper.

1902 Mary Yacoob