Archives for posts with tag: portal

Work in progress experimenting with ideas for some new video pieces that will develop from my collaboration with the high altitude balloon student society at Imperial College London and participation in the Continuum residency at Allenheads Contemporary Arts.

We will be attempting to launch a cloud chamber into space and film the outcome. 1803 filming cloud chamber (1)

 

It will be interesting to see how much cosmic ray activity we can record at high altitude. This is where protons emitted from the sun or distant galaxies crash into the Earth’s atmosphere and break apart.

1901 Cosmic ray decay.jpg

There may be other methods of recording we can try such as stacked layers of very thin plastic sheet which are ionised as the particle passes through and can later be etched to show the resulting track.

On Earth we are also protected from cosmic rays (which are high energy radiation) by the Earth’s magnetic field which is caused by the spinning molten iron core setting up convection currents in a geodynamo process.

1901 gyroscope

I am exploring magnetism and its powers. To be drawn to some powerful source. To fall into a black hole. I am trying ideas of a portal that offers transformation. This is also about returning to Allenheads, being drawn back. A black hole transforms matter, a wormhole deals with exotic matter.

 

Theoretically, to pass through a wormhole you need negative energy.

‘Negative energy is a concept used in physics to explain the nature of certain fields, including the gravitational field and various quantum field effects. In more speculative theories, negative energy is involved in wormholes which may allow for time travel and warp drives for faster-than-light space travel.’

So a portal that transports or transforms you (matter) could channel any ‘negative energy’ present and this could be dissipated by using black tourmaline which is supposed to clear negative energy. This could be the fuel to ignite the process.

I have a obtained a small two way mirror to test for the portal interface so the viewer can witness their own transformation.

1901 two way mirror

This could involve the vital fluids of Animal Magnetism or suggestion therapy of Mesmerism/ Hypnotism.

1901 iron filing tests (3)

 

Magnetoreception is the detection of a magnetic field by an organism. We have a protein (a crytochrome) in the human eye which could serve this function of navigation.

1604 vision

How can we be equipped for physical or subconscious navigation/transformation?

I will be looking at tracking the electromagnetic field, sending messages and reading codes for new work to be made responding to this years incredible communications double anniversary, for Lizard Lighthouse (400 years) and Goonhilly Earth Station (50 years: transmission of the first lunar landings). I am excited to have been offered a place on the Lizard Point Residency run in partnership with Mayes Creative, Lumen London and the National Trust.  We will be visiting wireless and semaphore stations along the Lizard coastal path, considering the Scilly Isles 30 miles out to sea and the important prehistoric menhirs offering ‘beacons’ for travel & procession across the land.

I have a lovely frosted glass Fresnel lens (as used in lighthouses) to experiment with.

1901 fresnel lens

 

With the prospect of using more technology in my work I spent an intense weekend with Aphra Shemza and Jamie Howard at Ugly Duck learning a quick guide to interactive light art. Had a chance to program an Arduino, solder it to a PCB and connect up individually programmable LED’s to respond to sound with variable colour and brightness. Also first time soldering which was very satisfying.

Not sure how I will cope when I start my own project but at least I know what an Arduino looks like now and some of its possibilities. Also it’s good to know Aphra and Jamie do offer support consultation.

I followed this up joining a Flux event hosted by Maria Almena, Oliver Gingrich and Aphra Shemza at The Library where a diverse mix of artists, musicians and various tech geeks from the creative media arts community come together monthly to network and share crits.  Was fun and welcoming.

Out of the Studio..

The Alicja Kwade installation in Space Shifters at Hayward Gallery was clever

and of course I liked Helen Pashgian’s resin spheres

I do like shiny things and reflective surfaces but this show was overload and works became just that – light entertainment.

Pierre Huyghe Uumwelt at The Serpentine Gallery was not so light and felt a bit like being stranded under medication in some apocalyptic lost outpost trying to make sense of incoherent images morphing into something almost but not quite recognisable.

1901 pierre huyghe (2)

The walls were sanded to reveal layers like the dissections of the brain that was scanned to produce the data used to try and build an image from the electrical impulses.

19010 pierre huyghe (3)

The dust filled the air, purposefully bred flies swarmed in vain to escape leaving little corpses on the floor.

1901 pierre huyghe (1)

Francis Upritchard Wetwang Slack at the Barbican Curve. Gorgeous glazes and uncanny mystics.

1901 francis upritchard 3

Left unsure if this was archaeology or evolution.

Attended the talks accompanying In the Dark curated by Genetic Moo, a London Group event at The Cello Factory.

1901 Into The Dark.jpg

Talks by Nick Lambert and Sean Clark from the Computer Arts Society who are celebrating their 50th year anniversary this year, and Jack Addis from the Lumen Prize. Artists discussed their practices and Tim Pickup and Nicola Schauerman from Genetic Moo talked about the challenges of working in the dark when overspill of light from other peoples work reduces the impact of all works.

Tim was wishing for a bulb that emits darkness. I remember Cham telling us about the photomultiplier tubes in the dark matter detector at Boulby Underground Laboratory which he said were in effect reverse lightbulbs, in that they absorb photons rather than emit them.

Made use of a free ticket to London Art Fair, Brockett Gallery had managed to shake of the fair vibe in their installation and I was glad to discover the 1974 film Space Is The Place in the Art Projects Screening Room.

1901 art fair john coney 1974

Presumed lost in space Sun Ra returns to do battle, outwit the white NASA scientists and transport the black race to a new planet in outer space.

Also good to see Thom Bridge’s intriguing self portrait of himself and his twin Theo One Ear Both Eyes which was a requirement of their visa application photograph. Shown so you can’t see both portraits at the same time unlike below. Which is Thom?

Thoughtful and prescient video based work looking at natural selection/personal choice from David Blandy and Larry Achiampong in Genetic Automata at Arts Catalyst. What colour skin would you choose? How far back do we reach for our identity? What can I claim as my own? Net migration google map was fascinating to watch.

Where are those phrenology bumps developing on our contemporary skulls?

1901 larry achiampong and david blandy 3

Falling Stars/Stelle Cadenti exhibition at The Crypt Gallery was a display of work created in response to last years Lumen Atina Residency where the group experiences local astronomical sights and dark skies.

Of Stars & Chasms at ArtHouse1 showing stellar work from Julie F. Hill bringing the astronomical sublime to a bodily encounter.

1901 Julie F Hill (1)

 

 

 

 

 

 

 

Advertisements

– A half of the celestial sphere, the sky.

1811 Cape Foulwind

Exciting news for the New Year. Allenheads Contemporary Arts has been awarded Arts Council funding for the next phase of Beyond, launching as Continuum, ACA will be working with curator Rob Le Frenais.1812 observatoryI am delighted to be part of this new interdisciplinary programme of contemporary art which aims to connect the arts and sciences via the conduit of speculative literature and science fiction.
1812 Cloud Chamber

Also, thanks to the support of Senior Lecturer in Spacecraft Engineering, Aaron Knoll, at Imperial College London I have been offered the opportunity to work with a small team of students to realise the launch of a high altitude balloon with an aim to film a cloud chamber at the edge of the atmosphere where protons crash and decay. If successful, it could be the first time cosmic particles have been filmed in a cloud chamber at 30km altitude.

Aaron has previously launched a high altitude balloon with 12 GoPro cameras to capture 360 footage for a virtual reality experience VR2Space flight to the edge of the atmosphere.

1812 VR balloon experience

Video and data from this experiment undertaken with Imperial College will then feed into the work I will be making as part of Continuum.

I have been thinking about Vitruvian Man as a reference point for making video work with an aerialist and developing some sort of sequence based on this image which Leonardo da Vinci said was cosmography of the microcosm. He saw the workings of the human body as an analogy for the workings of the universe based on symmetry and proportion.

I was thinking of the aerial hoop but the Cyr wheel may work better as this is proportioned to the body of the user. It’s a starting point and I can look at the idea of scale and proportion in relation to the body and space. I came across all female Alula Cyr which have some inspiring work online.

1812 jessica ladley on cyr wheel

Thank you to Wuon-Gean Ho for a short article about my work Duodecimēns in the 2018 Autumn edition of Printmaking Today.

1710 screenprint on aluminium

1810 Printmaking Today

1806 Open Studios

Thames-side Open Studio

Other new work I am developing continues with the idea of the portal. Looking at sacred space as a portal into a spiritual realm promising some sort of transformation and relating this to the power of a black hole and its potential to transform or transport matter.

1811 sacred portal black hole

Popped in to Lumen Studios at St John’s Church Bethnal Green to see Cosmic Debris a durational choreographic installation created with things found on the streets. Aleksandra Borys and Marcio Kerber Canabarro were performing a gentle alignment of matter using incense, bells and ritualistic sequences incorporating balance as a key focus.

Went to Field/s One panel discussion and exhibition at SluiceHQ moderated by Thom Bridge who set up and coordinated this dynamic peer network group of 12 artists engaging in conversations about photography and its wider contexts presenting new works grounded in photography but also extending to video, performance and installation.

1811 FieldsONE exhibition

First images are arriving from the New Horizon flyby of Ultima Thule 6.5 billion km from Earth

1812 Ultima Thule

“We are in the midst of both an incredible and challenging space age. How can we harness the information, collected in silos, from the fields of cosmology and quantum physics to conceive of a more unified vision of how the universe (and us) are put together? Within science and culture – what new models of thought could we foster? How do creativity and consciousness fit into this emerging paradigm? How can we rethink our practices to swerve the impasse some are labelling a new ‘Dark Age’?…”

Following the above brief – London Laser Lab talk

Talks on the intersection of art, science and technology – LASER is a project of Leonardo® /ISAST (the International Society for Art, Science and Technology). London LASER is organised by Heather Barnett and students on the MA Art & Science at Central Saint Martins.

1811 laser lab panel

Re:Thinking Space panel discussion chaired by Nicola Triscott with Dr. Chamkaur Ghag, Dr. Ceri Brenner, Susan Eyre and Dr. Thomas Kitching

I have recently had the opportunity to visit the southern hemisphere. New Zealand is an incredibly beautiful country. I am sure the dramatic geology and awe inspiring landscapes will have an impact on my practice. I finally caught a glimpse of the milky way when the clouds briefly parted during a 2am visit to Mt John Observatory. Underground rafting to see the glow worm caves at Charleston was a beautiful and surreal experience and the spectacular Lord of the Rings tour with Pete from Queenstown OFFROAD tours was an exciting adrenalin rush crashing wildly upstream or precariously navigating the winding and precipitous Skippers Canyon. I was even able to add another Paradise to my documentation archive.

1811 Charleston caverafting1811 Charleston glow worm caves1811 Franz Joseph Glacier1811 Punakaiki Pancake Rocks1812 Lake Mathesan forest1812 Lake Tekapo Mt John Observatory1812 Milford Sound1812 Paradise

 

 

 

The end of summer. Time for Laboratory of Dark Matters take down at Cleveland Ironstone Mining Museum.

1710 The Forms

During the six week exhibition and many trips to the north east where we were made so welcome I became very fond of all those involved at the museum and the dramatic backdrop of the North Yorkshire coastline. Sad to pack the work away and leave.

1710 Diazôgraphô

Boulby Mine became a familiar sight and distinct reminder of the surreal journey underground and project conception over a year ago.

1710 Boulby Mine

It was a genuine coming together of disciplines and communities which I think we all gained from. Pinning my hopes for the future on similar undertakings.

1710 CIMM and EU nostalgia

 

We are better together.

 

 

 

Straight onto making new work for Deptford X Fringe show Supposedly Predictable Phenomena with [ALLOY] artists.

1710 etching plates

Etching 12 plates, then screen printing the centre circles as 4 colour separations. The printed images are from crystal ball photographs taken out in the woods.

1710 screenprint over etch

A portal for the imagination as well as a folding in of space.

1710 screenprint on aluminium

Meanwhile I was invited by The Institute of Physics to speak at the INTERACT conference in Birmingham. I was able to participate in some interesting workshops alongside the physicists  and listen to Jim Al-Khalili and Alice Roberts in conversation about the shifting perspective of the academic world in relation to public outreach and the role of women in the sciences.

I was introduced to The Planeterrella, an incredible artificial demonstration of the Northern Lights. The aurorae are created by charged particles from the Sun travelling along the Earth’s magnetic field lines and exciting our atmosphere.

1710 Planeterrella

In this experiment most of the air is sucked out of a glass chamber to recreate the conditions about 100km up in the Earth’s atmosphere. The large sphere represents the sun and the small sphere the Earth which contains a very strong magnet to represent its magnetic field. A voltage is sent from the Sun to the Earth to recreate the solar wind which excites the electrons in the field enough to give off light at characteristic frequencies.

1710 Planeterrella 2

Listened to Gravitational Waves

1710 Gravitational Waves

and picked up a useful leaflet on cosmic rays which were first discovered by Victor Hess in 1912 using an electroscope to measure ionising radiation in the atmosphere 5300 metres up in a hot air balloon. The higher up the higher the radiation therefore the effect must be caused by something extra-terrestrial.

1710 Victor Hess

One high energy primary cosmic ray gives rise to a cascading shower of secondary particles that scatter across the earth, colliding and decaying in a constant stream. Mostly passing straight through us and the matter around us but sometimes there will be a direct hit at a subatomic level from a particle having travelled from outside our galaxy.  1704 Cosmic Trail 3

Lizzie Cannon ‘Liminal Matter’ at The University of Greenwich explored the constantly shifting dynamic of the shore and its material.  Through the process of art-making, critical reflection and dialogue; this exhibition continues Lizzie’s research to address questions around human and nonhuman agency, temporal and spatial flows of matter and meaning, and an ontological fluidity that allows for an understanding of materiality as a reciprocal and generative relationship between humans and environment.

1710 Lizzie Cannon In Transition Detail 1

Lizzie Cannon detail of the mighty In transition

Wandered the set at South London Gallery of Tom Phillips IRMA: An Opera Opus XIIB. This 1969 mini opera was drawn from Tom Phillips magnum opus which was in turn born from an idea that he would alter every page of the first book he came across for 3d. W H Mallock’s 1892 novel A Human Document thus became A Humument. 

1710 Tom Phillips

1710 Tom Philips Humument.jpg

Further wanderings during London Open House weekend led to the architectural hybrid of Lloyd’s Register.

1710 Lloyds Register Open House

Hidden within the Richard Rogers glass and steel is Collcutt’s palazzo with grand marble staircase leading to the ornate General Committee Landing dominated by The Spirit of Maritime Commerce 

1710 Spirit of Maritime Commerce

and the bronze frieze sculpted by Frank Lynn Jenkins, inlaid with silver, mother of pearl, turquoise, coral and pearl.

1710 Lloyds Register Bronze Frieze 2

1710 Lloyds Register bronze Frieze

The landing opens onto the Italianate opulence of general committee room with its barrel vaulted ceiling and more exposed left breasts of various symbolic maidens

1710 Night

Lloyd’s Register was founded in 1760 in Lloyd’s Coffee House as a means of registering the seaworthiness of wooden commercial ships sailing from British ports. An attempt to plan and predict.

A tight turnaround from ideas, to making work, to installation of Supposedly Predictable Phenomena at no format Gallery in time for Deptford X.

Very happy to be showing alongside Jessie Sheffield and Lauren Ilsley. 1710 SPP 8

This was new work that investigates the themes of sequence and consequence

1710 SPP

Contained Nascent
Acrylic, wood, water, powdered minerals.
Lauren Ilsley, 2017

Apparently linear processes, psychological and physical, are rendered unpredictable and essentially chaotic due to their inherent and entangled sensitivity.

‘Supposedly predictable phenomena’ relates to the concept that if all contributing factors could be mapped and understood, then the outcome, theoretically, should be predictable.

1710 Jessie Sheffield

FixPoint 36
Steel mesh, wood, acrylic.
Jessie Sheffield, 2017

The results of this is a calculable universe and suggests a trajectory that is not only logical but also predetermined.

1710 SPP 2

Tools for Transition
Ceramic, aluminium, wood.
Lauren Ilsley, 2017

This raises the question of the alternative – Chaos Theory, and in turn free will.

1710 SPP 7

Duodecimēns
Etched aluminium, screen print. 12 pieces.
Susan Eyre, 2017

Duodeci – 12    mēns – minds……or Twelve thoughts, one from each multiverse

1710 ssp exhibition

no format gallery space worked well for us, if slightly on the edge of the festival bounds. It faces onto Propeller Foundry with 4 floors of artist studios many of which invoke studio envy with their big windows and vast spaces. Found a few old friends in here. There was some opportunity to head out to see some of the other work on show around Deptford.

Ambient Occlusion was another excellent curation at Gossamer Fog. Muted as the first step towards the synthesis of human and computer, the attraction of virtual reality evident by the queues to experience Jakob Kudsk Steensen’s Terractic Animism. It was terrific. Hyper-real. Which cannot be conveyed in this image or the Vimeo link demo.

1710 Jakob Kudsk Steensen

Other mesmerising work was Alan Warburton’s 3 channel video Primitives

1710 Alan Warburton primitives

and Katriona Beales video with mixed media Working Table II

1710 Katriona Beales (1)

Bearspace was showing Bella Easton Breath

1710 Bella Easton

colours slipping from muted to monochrome, an enveloping tangle pieced from oil painted linen still scented with the mediums of its construction.

In the bare bones of St Paul’s House Tom Ireland placed three screens showing voyages across the sea or the galaxies. The Heavens (Deptford Observatory) places the local dockyards and observatory at the centre of the universe from which we embark.

1710 tom Ireland.jpg

New Scientist Live 2017

1710 naked molerats.jpg

Best thing I saw in some ways was these extraordinary fanged tubes of flesh that hold the clues to longevity but I did feel for them being thrust under the spotlight. Exposed. Naked indeed.